Word: hides
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Dates: during 1970-1979
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...Front have been forged into an efficient guerrilla force. Despite their edge in air power, some of Zimbabwe Rhodesia's white-led array units have been routed by rebel forces that are now equipped with Soviet Kalashnikov automatic rifles, portable antiaircraft missiles and other sophisticated arms. Employing classic hide-and-seek guerrilla tactics, the "boys," as they are affectionately called by the villagers who harbor them, have achieved control over much of the countryside. On occasion they have even left the bush to strike in Salisbury: a year ago, a raiding party blew up a gasoline depot, destroying...
...Beatles fell prey to divisiveness, disarray. The Rolling Stones traveled fast, turned gangrenous. The Who kept its distance, stayed strong by staying stubborn, contentious. Buoyed by the great breaking wave of British rock during the '60s, the group managed to swim clear. "We've sometimes been able to hide behind bands like the Beatles and the Stones, who got so much flak," Townshend says. "Yet we were significantly stronger than other contemporaries. Stronger in live performance, for example. And much more daring with material...
...best example now in production is a brilliant quarter-arcade game called Space Invaders. It is a reaction-time contest: shoot down the massed, marching aliens shown on the big TV screen before they shoot you. The refinements are satanic. The player has four blockhouses behind which to hide his man, but as the blockhouses catch fire under attack, they crumble. As the sound effects become more ominous, the aliens begin to shoot faster and more accurately. Blast them all -whew!-and another phalanx appears, nearer and more menacing. The action is jitteringly fast, and the tension is worsened...
...mind. Says Catherine Pope: "The other talk still comes through. I suspect she and Gracie still do it behind closed doors." The twins now register IQ scores of 80 (up from 50) and have mastered simple reading and mathematical skills. The question of whether their remarkable private communication might hide a superior intelligence short-circuited by emotional problems is still unanswered...
Leontes (Chris Clemenson) sits on this throne in the opening few scenes, his profile facing the audience, as the rest of the actors celebrate the King of Bohemia's arrival. This presentation immediately gives the audience the notion that this man must have something to hide. When Leontes finally speaks, the hidden becomes obvious--his jealousy wells to the surface. He even doubts at this point that Mamillius, his heir...