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...that you've been there, done all this, before. But The Sea Inside, a movie from Spain, takes the issue of euthanasia to a new level of cinematic artfulness. Ramón is played by the great Javier Bardem, who disguises his relative youth (he's 35) but does not hide the sparkle and sadness of his eyes, the irony the invalid finds in his condition. Ramón's body may be essentially dead, but his spirit--angry, calculating, humorous, demanding--is wonderfully alive. The strikingly beautiful Belén Rueda is Bardem's equal as the lawyer who takes Ram?...

Author: /time Magazine | Title: O Come, All Ye Fight-ful | 12/19/2004 | See Source »

...went to pay interest, dividends and fees--with $3.6 billion of that going to the banks. Magistrates allege that about $1.7 billion was siphoned out of the company by Tanzi and his family, and much of the rest was used to cover operating losses that management was desperate to hide...

Author: /time Magazine | Title: How It Went Sour | 12/17/2004 | See Source »

...began buying up dairy and other companies in Italy, Brazil, Argentina, Hungary and the U.S. "It was a reversal of logic," says Vito Zincani, the chief investigating magistrate in Parma. Usually, companies take on debt in order to grow. But in Parmalat's case, "they had to grow to hide the debt," Zincani says...

Author: /time Magazine | Title: How It Went Sour | 12/17/2004 | See Source »

...friend, what was in the potions Anderson had given him: "When he said it was flaxseed oil, I just said, 'Whatever,'" the Chronicle reported. "It was in the ballpark ... in front of everybody. I mean, all the reporters, my teammates. I mean, they all saw it. I didn't hide it." Yet it is also uncharacteristic behavior for Bonds, a meticulous man known to be a perfectionist about training and diet...

Author: /time Magazine | Title: How Pumped Up is Baseball | 12/17/2004 | See Source »

...smoothness of Leonardo DiCaprio's face is deceptive. He can hide behind its boyish affability the way Laurence Olivier hid behind putty noses and funny accents. In Catch Me If You Can, DiCaprio's face was a blank check on which his character forged a career in duplicity. At other times, as in Gangs of New York, a rage can pop out like a monster in a lake. His face is too soft to be a tabula rasa; it is a pillow on which DiCaprio can embroider surprising emotions. That's why he is an actor, a gifted one, even...

Author: /time Magazine | Title: Movies: Looking for Hughes in the High Clouds | 12/17/2004 | See Source »

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