Word: high-brow
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Some great movies, other than Harold and Kumar, whose clips are showcased include Back to the Future III, Mean Girls, an episode from The Simpsons, The Da Vinci Code, and more Mean Girls. Yes, FlyBy has very high-brow taste...
...decades now, fans of American musical theater have been fretting about the death of the genre. As globo-spectacles like Mamma Mia! and Beauty and the Beast crowd out daring new artworks, "where," ask these anxious theatergoers, "are the young Sondheims?" There won't be any. Not because high-brow musical theater is dead, but because the old Sondheim keeps on being new. Composer-lyricist Stephen Sondheim, 79, continues to dominate the genre he has constantly reinvented, first with Leonard Bernstein and Jerome Robbins on West Side Story in 1957, Company (1970), Sweeney Todd: The Demon Barber of Fleet...
...YouTube going high-brow? The answer involves revenue (the Edu hub has room for one or two ads on its home page), social relevance and perhaps a bit of rivalry. More than 170 schools offer content free to the public on Apple's iTunes U, which originated in 2004 as a way for colleges to distribute content privately to their own students. The partnership has been a win-win: universities get a cost-cutting distribution tool, and Apple's products become must-haves on campus...
...restaurant in front of which they performed. The manager was so pleased with the clean cut duo and their classical repertoire that he often gave them free dinners and offered them the opportunity to come play every evening in the prime Brattle Square location. But performers with less high-brow acts have received less amicable treatment and certainly no free meals. David Johnston, a Brattle Square regular who plays acoustic guitar, complains that he has been experiencing ongoing clashes with both Bertucci’s and Hidden Sweets. While the management of Bertucci’s declined to comment, owner...
...acrid taste in your mouth from when gasoline prices were at an all-time high or you’ve fallen victim to a housing “crunch,” the Hasty Pudding Theatricals can offer you laughs (and maybe hope) in the plight of diminutive demigod Hugh Bris (Daniel V. Kroop ’10), the pocket-protected protagonist of their 161st performance, “Acropolis Now.” Though it may not be the high-brow piece of musical mastery that one might typically expect to witness at a show with men in drag...