Word: high
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Dates: during 1970-1979
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...appointments and grants on the state. For example, ex-Governor Reubin Askew was made Carter's special trade negotiator, and Miami was awarded a $2 million grant to rejuvenate the Little Havana district. In addition, the President's people in Washington have dispatched a steady stream of high-level visitors, starting with the President and Rosalynn Carter in late August. Mrs. Carter has been back twice...
...Zonians' dismay at the Carter Administration's "giveaway" of the Canal Zone burst into the open at a flag-lowering ceremony at Balboa High School. "Jimmy stinks," chanted a group of American students standing outside the school as the U.S. flag was lowered. Zonians joked that Foul Play, the film showing at the local theater, was grimly appropriate; the movie was replaced the day after the turnover by El Expreso de los Espias, a spy film starring Robert Shaw and Lee Marvin that was titled Avalanche Express in the U.S. Shortly before the switch in sovereignty, many Americans...
...adage that men grow in office has not proved true in my experience. High office teaches decision making, not substance. It consumes intellectual capital; it does not create it. Most high officials leave office with the perceptions and insights with which they entered; they learn how to make decisions but not what decisions to make...
...theory that it takes a teen-ager to know a teenager, juvenile juries in Denver are deciding the sentences given to some first-time offenders at the junior and senior high school level. The student jurors, volunteers all, pass sentence only on young people who have admitted guilt and signed contracts with the district attorney's office agreeing to abide by whatever penalty their peers impose. The juries handle such crimes as assault, possession of dangerous weapons or marijuana-all but the most serious. Typical sentences include unpaid community service, obeying tight curfews, avoiding the city's high...
...gathering of Lautrec's tribe, his best male friends and the cabaret women who were the main characters of his art. It also seems to be Lautrec's most complete answer to the Parnassian pretensions of French artists' circles in the '90s-the kind of high-mindedness he had mocked as a student, ten years before, with an acrid parody of Puvis de Chavannes's Sacred Grove, into whose pallid scattering of muses he introduced a line of stray moderns from a Paris street, including his stunted self, back turned, urinating on the turf...