Word: highes
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...evidence of compounds called hydrocarbons, which are of major importance in organic chemistry. To discover whether these hydrocarbons had a biological origin, scientists analyzed the ratio of two isotopes, or forms, of carbon. They found that the amount of carbon 12, the isotope most utilized in biological processes, was high in relation to carbon 13. This indicates that the hydrocarbons were produced by photosynthesis, the process by which plants convert carbon dioxide into organic compounds and oxygen. Ponnamperuma's find shows that life was present on earth 3.8 billion years ago, when the planet was only 800 million years...
...other tenor in modern times has hit the opera world with such seismic force. At 6 ft. and nearly 300 lbs., "Big P," as Soprano Joan Sutherland calls him, is more than lifesize, as is everything about him?ins clarion high Cs, his fees of $8,000 per night for an opera and $20,000 for a recital, his Rabelaisian zest for food and fun. "He is not primo tenore, " says San Francisco Opera General Director Kurt Herbert Adler. "He is primissimo tenore...
...range is high, encompassing top Bs, Cs and even Ds with an unforced, open-throated quality that Italians call lasciarsi andare?letting it pour forth. Many tenors blessed with such an instrument would be content to let it pour forth at top volume, and subtlety be damned. Pavarotti has instinctive taste and musicality, not to mention a keen sense of timing. He shades his phrasing and dynamics in order to bring the composer's lines to life and let them breathe...
...George Cehanovsky, 87, a former baritone at the Metropolitan who has heard most of the great voices of this century, Pavarotti combines the pastosa (soft) beauty of Beniamino Gigli with the effortless high notes of Giacomo Lauri-Volpi. Others hear echoes of Jussi Bjoerling's silvery refinement. Pavarotti inmself cites a more recent predecessor as a model: Giuseppe di Stefano, who at his best had a burnished, flowing style...
...barely more than an inch of exquisitely fragile larynx. But the pressure on tenors is perhaps the most harrowing of all. The reason is that the tenor voice is an unnatural one, especially in the rarefied range above the staff?the four or five notes from G to high C or D. For a male singer to reach such heights while retaining all the power and virility of his lower range?and, preferably, subordinating the sheer physical feat to an artistic purpose?is a rare and exhilarating achievement. This is the heroic madness of the tenor. He girds himself like...