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Indeed, many acknowledge that the work they create while drunk or high may not consistently be of the greatest quality. “Sometimes it’s shit,” he continues. “Sometimes it?...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

...reason to believe that marijuana enhances creativity, there is evidence that marijuana makes people feel more creative,” UC Davis Dean Keith Simonton says. “That seems to be because self-critical judgment gets turned off. Only later, when they’re no longer high, and they look at what they produced, do they realize that they were nowhere as creative as they thought at the time. The same holds for many other altered states of consciousness. We might have a particularly wonderful dream some night, but find that it bores our friends silly when...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

...that the magnitude of a substance’s psychological effects differs according to one’s genetic makeup. In her research review, “Creativity and Psychopathology: A Shared-Vulnerability Model,” Carson argues that creative individuals tend to respond more positively to the high that drugs induce, since their naturally less inhibited state is more conducive to artistic production. “Genetic vulnerability factors... may predispose certain individuals to experience altered mental states that provide access to—and interest in—associational material typically filtered out of conscious awareness during...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

...arts article "High Art" took a quote about drug use in art from Extension School instructor John McMillian out of context. In addition to saying that many artistic greats used drugs during their most creative periods, McMillan said that he does not advocate drug use and that some of the artists suffered mightily from the negative side effects of drugs...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

...crux of the exhibition, however, is Wodiczko’s new work, housed in the larger of the two spaces in the ICA. The room, which displays images projected onto the walls, gives viewers the experience of standing in a warehouse. The majority of the room is black, with high windows projected on three sides. Shrouded in darkness, the viewers can only see what would plausibly be visible through these windows. At the beginning of the installation, the frosted glass panes reveal only a blue...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: Wodiczko Installation Plays Veterans’ Stories at Full Volume | 11/13/2009 | See Source »

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