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Ballet Folklórico de Aztlán’s (BFA) high-energy performances often involve twirling skirts and snappy footwork. Dancers may wear rattles on their hands and candles on their heads, all the while flirting with their partners and with the audience...
This inclusive view of dance characterizes Quinn’s attitude about the art to which he devotes much of his time as a choreographer and performer. Unlike most dancers, Quinn did not practice the form until he arrived at Harvard. An actor during high school, he went to the final hours of Common Casting his freshman year. There, he happened upon “American Grace,” the Harvard Ballet Company’s 2006 dance showcase that was auditioning through Casting. It was during this production that Quinn discovered the beauty of the art that would...
...resident of Quincy House concentrating in Visual and Environmental Studies (VES), Fang set her sights on a career in the arts ever since taking classes at the Seattle Academy of Fine Art in high school. At Harvard, Fang has made creative strides in animation...
Friedman got her start in South Africa, where she lived from the ages of eight to twelve. She started singing in a touring children’s choir, then auditioned for a show choir, which she credits with pushing her in a more theatrical direction. In high school she dabbled in professional shows, small films, Shakespeare studies, and directing but found a particular passion for acting. “I realized I liked acting better than singing because it required a lot more intelligence and thought...
Fuller was heavily encouraged to continue with ballet because of the severe shortage of male dancers in the ballet world. He soon became so serious that he considered skipping college and going straight from his senior year of high school into a professional dance company. “My plan had been to go straight into company” Fuller says. “So college was a big shift...