Word: highlight
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Dates: during 1990-1999
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...highlight of the performance came when Jones said that everyone in Boston had been coming up to him saying "Marsha, Marsha, Marsha," alluding to his infamous appearance on another classic TV series, The Brady Bunch. Jones then invited fans to join the band in a sing along of The Brady Bunch theme song. The thousands of adults present proved that there are just some things one will never outgrow. Jones then followed with the song he serenaded Marsha Brady with in the series as well as in the 1995 movie remake in which The Monkees appeared...
...yourself" is still the best general thought to keep in mind as you prepare for an interview. When you think about being yourself, however, concentrate on being your "best self." This thought extends from the suit you wear to the examples from your past that you choose to highlight. An interview is a brief period of time in which to make an impression. You want yours to be a positive one. Present the highs and not the lows, the enthusiasm and not the doubt. No one denies that most people have negative experiences, low moments, and uncertainty about major decisions...
...Tumulty, are treated to screenings in an auditorium at the Old Executive Office Building. "It's very much like a movie theater, right down to the plush folding seats, and the tapes are showing pretty much continuously. At certain times, though, (White House aide) Lanny Davis has put together highlight films, and we can shout 'go back' or whatever...
...number of improvements would--less inane lyrics, for example. Knox not only commits the traditional (and acceptable) pop crime of writing terrible, trite lyrics, he structures his songs (all 14 of them) such as to place special emphasis on his meager voice and lyrics. The spare arrangements simply highlight the artist's severe limitations as a vocalist and lyricist...
Shaham's treatment of the first movement cadenza was precise, relaxed and completely effective. Unlike most cadenzas which depart from the main theme to highlight the performer's virtuosity, Mendelssohn's provides the development that leads the movement to its end. The orchestra drew momentum from Shaham's graceful interpretation. It is difficult to say, however, whether it was this passion or sheer accident that caused conductor Seiji Ozawa to throw his baton into the cello section shortly before the end of the movement. The piece was nonetheless otherwise seamless (and an obliging cellist returned Ozawa's baton shortly after...