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...lead to 10 with 14:57 to play.Junior guard Emily Tay continued her fine play for Harvard, this time taking a back seat in the scoring department (eight points), but dishing out seven assists. Last week’s Ivy League Player of the Week added to her ongoing highlight reel with several no-look passes that found teammates under the basket. But it wasn’t all fast breaks and layups for the first-place Crimson early Saturday night. Realizing its own height disadvantage, Brown started four guards against Harvard’s traditional three-guard set. While...
FIRST INTERMISSION: Perhaps the most noteworthy element of the whole period, other than hard hitting by both teams and two highlight-reel Crimson goals, is the fact that there were no penalties incurred. A total of 30 was assessed the last time these...
...impressive integration of multiple media, the performance utterly lacked dramatic cohesion.As the audience filed in, a white-clad throng convulsed rhythmically to the energetic music of local band “The Second Line Social Aid & Pleasure Society Brass Band,” which would prove to be the highlight of the evening. The dancers this band accompanied composed the play’s ensemble of twenty; they ranged in age between their teens and seventies and were in varying states of hygiene. While seven of the players were of Bread and Puppet’s own company, the rest...
...across lines. Caws sounds as if he took a casual conversation with a bunch of guys and stuffed it into a musical format. But Nada Surf’s music tends to concentrate on melody more than poetry, so they think they can get away with it. One final highlight, “The Fox,” doesn’t blend into the monotony. Sparse drumbeats and a wandering bass line make for a very original interplay with a vibratto-heavy guitar (think “Boulevard of Broken Dreams,” but less cheesy...
...glamorize the performer or interpret the song by adding a story. Instead, the video focused on the sound itself, and it did a perfect job. Koichiro Tsujikawa’s wonderfully strange video for the Cornelius song “Like a Rolling Stone” was another highlight. To accompany Cornelius’ ambient electronics, Tsujikawa created a detailed, swirling world of archways, pedestals, and many small plastic humans. At the end of the video, the plastic humans turn back into rocks. Of the twenty one videos shown, “Like a Rolling Stone” least resembled...