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...amazed. The devotion that man had and the experience he lived through--he spoke of an experience with Jews across the world, which people don't usually highlight," Rebecca J. Slotnick '99 said...
...heartrending tale, the director of such wide eyed spiritual triumphs as The Mission and City of God--just look at those titles--has gone blackly cynic. In Roland Joffe's twist-filled but flawed new feature, religion serves only to provide a respectable front for the depraved or to highlight its golly-gee practitioners' cluelessness. But that's not the main thrust: In this noir comedy, lust, greed, jealousy, betrayal and just generally people's worst sides stand in mocking contrast to any form of decency (i.e. gullibility...
...indisputable highlight of the show came in the second half of the program, as Harvard dancers took to the stage for the entirety of Pink Floyd's Dark Side of the Moon. Using the choreography of Babil Gardera, the principal choreographer of the South Texas Dance Theater, Harvard dancers turned the Loeb Mainstage into a swirling, swarming arena of motion and light. Clad in bodysuits of various neon and tie-dyed colors, the dancers marched in perfect unison onto the stage in the opening number, "Speak to Me," like drones from a futuristic world where money clangs and clammers...
...indisputable highlight of the show came in the second half of the program, as Harvard dancers took to the stage for the entirety of Pink Floyd's Dark Side of the Moon. Using the choreography of Babil Gandara, the principal choreographer of the South Texas Dance Theater, Harvard dancers turned the Loeb Mainstage into a swirling, swarming arena of motion and light. Clad in bodysuits of various neon and tie-dyed colors, the dancers marched in perfect unison onto the stage in the opening number, "Speak to Me," like drones from a futuristic world where money clangs and clammers...
...like "I love you. I love You. I love you. I really do," and though the incessant hopeless ballads may truly make love a labor, especially after two, three, or ten, who can't be cheered up by those spirited high voices? Heavy syncopation and live-recording-like sounds highlight "Tram is Coming," and "Good Ambition" conjures images of great "get out of my dreams, get into my car" '80s classics. However, someone should have gagged these artists before they wrote the daftly-worded "Mr. Fix It." As the band ends with their lasting call, "Legalize it... don't criticize...