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...faculty the only possible reality. The tools for them to do so are readily available. They should promote and participate in programs like the Radcliffe Science Alliance, which exposes minorities to the career opportunities in higher education. And they should call--quietly--on the Office of Career Services to highlight to the female and minority communities on campus the rewarding opportunities in academia as much as it does for positions with high-paying consulting firms...

Author: By Adam I. Arenson, | Title: The Empty Shout | 4/25/1997 | See Source »

Shari A. Davis, a third grader from the Blessed Sacrament School, said that meeting her pen-pal was the highlight...

Author: By Nicole W. Green, | Title: 1,300 Join in Peace Games | 4/19/1997 | See Source »

Word has it that while Chelsea spent last Saturday afternoon in low-key fashion, her evening was really something to talk about. The high school senior from Sidwell Friends was taken on a whirlwind tour of all the Square's hottest locales. The highlight? A raging party at the A.D. final club. Adorned in a "royal blue tight sweater, bootleg pants and, of course, boots," as The Crimson described her attire, Chelsea chatted away with some of this country's best and brightest elitist, womanizing snobs. Dad must have been so proud...

Author: By Noah Oppenheim, | Title: TO THE GOSSIP'S CHAGRIN | 4/12/1997 | See Source »

...Medora was by turns sweetly tender and cockily cute, and her fluidity and lithe jumps were flawless throughout the evening. Pollyanna Ribero, as Medora's friend Culnare, displayed her usual solid strength. In the pas d'Esclave (slave dance), the female role was performed by Jennifer Gelfand. The highlight of her variation was, as always, her amazing pirouettes and fouettes. She amazed the audience with her ability to do four and five rotations in the midst of her fouette turns, a feat that is seldom seen onstage...

Author: By Christiana Briggs, | Title: 'Le Corsaire' Sails to Success: | 4/10/1997 | See Source »

...Pied Piper entered from a side door. Galway appeared on stage in an extravagant red and yellow robe and acted the role of the piper battling and driving away an infestation of rats. The middle movement was the War Cadenza, featuring Galway on solo flute. It was truly the highlight of the piece. The musical special effects Galway invoked in this movement, while dramatic and entertaining, in no way detracted from his musical and technical mastery. The piece climaxed as several young flutists and drummers from local music and high schools marched through the hall to join Galway on stage...

Author: By Jamie L. Jones, | Title: Peculiar Partners: The Piper and the Pops | 4/3/1997 | See Source »

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