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...Highlight Reel: 1. On the dynamics of her marriage: "Michelle - the boss - has said that there's a rule in their marriage: She gets to tease, and Barack does not. She is the one who gets to rag him publicly about leaving his socks around and not putting away butter, and he is the one who does not get to rag her publicly about...anything...
...Highlight Reel: 1. On Woody Allen's Annie Hall: "The film is full of jokes and funny observations. It has great scenes. But it is not a story or a drama. It is a comic's sad monologue filled out to the dimensions of a movie (93 minutes) in which the impenetrable, impregnable self-regard of Alvy fends off a delightful woman. This is not quite feminism. Indeed, it is a kind of celebration of male infantilism (otherwise known as the movies...
...Highlight Reel:1. Have no shame. "Does talking a guy into an institution that will make him healthier, wealthier and happier seem wrong?" Uscher-Pines asks. Hell no, is her answer. So press on with complete confidence that marriage is The Right Thing To Do. Too many women find themselves "becoming a wife before you actually have a husband," she adds. And don't let your friends tell you the hot pursuit of a ring is antifeminist; actually, it's all about empowerment. And, somehow, the environment. "Basically, if you aren't selfish enough to get married for yourself...
...becomes another woman sitting down at a table; a cushion hides a female face. Similar merging runs through “Lossless #5,” as strings of dancing girls blur into a wispy line of smoke. Such metamorphoses are startling in the black and white films; they highlight the pervasiveness of digital change. Perhaps the most arresting installation is “Lossless #3,” a highly pixilated and compressed version of John Ford’s classic Western “The Searchers.” The film contains neither plot nor dialogue...
...devil incarnate—to their final tally. (To quote a friend, “Those nuns got mad ’sploited.”) These uncomfortable encounters included shaky camerawork as the handheld camcorder filming the scene zoomed in and out unexpectedly. But the highlight of each scene was the music: an amazing and hilariously malapropos soundtrack that sounded something like a Clapton-fronted Mariachi band.There is, however, more to the experience of watching “Les Demons” than simply what appears on the screen and rumbles through the speakers. Jesus Franco, the movie?...