Word: highlights
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Dates: during 1970-1979
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...NOTEBOOK: Kelley got a hit in each of the Army games to finish the season with a fifteen-game streak....The highlight of the return bus trip was the intense competition in the home version of "Family Feud." The team of Kelley, Stewart, Pearce, and Dan Doctoroff took the championship, while M.C. duties were handled by Mike "Our survey said!" Stenhouse...
...shunning these petty concerns, the Captain argues, can one hope not merely to survive but to live. Stein is able to convey both this integrity and the salty humor of the old mariner through his slow, shuffling gait and simultaneously gruff and affectionate delivery. Stein's portrayal is the highlight of the production Above all, one senses in his performance the supreme confidence of an actor who has come to understand and accept his role, just as the Captain has carved out a lifestyle for himself in a world in which he is merely a vestige of a former...
...sets and costumes effectively highlight the juxtaposition between Captain Shotover's loose, churlish demeanor and the aristocratic pretentiousness of the younger generation. Shotover's house looks like an old sea vessel; its rickety poop deck is fashioned as a veranda and netting drapes the furniture and bookcases. The lavish, flamboyant costumes are appropriately incongruous in Shotover's domestic environment...
...sure whom to spy on a couple that might be the victims (or the perpretrators) of who knows what hideous crime of romantic vengeance. This Francis Ford Coppolla movie--made back when he still had money troubles--works hauntingly on at least three levels. Metaphorically, it serves to highlight the pathologically paranoid mood of the last years of the Nixon administration and the Watergate coverup. Intellectually it goes deeper than this; Hackman pain-stakingly and convincingly becomes a man who just can't handle the perversity and technical inhumanity of his occupation, and who begins to fathom the horror...
...blame for the failure of this Romeo and Juliet must lie at the feet of Hughes and Shannon Gaughan as Juliet. Neither goes beyond the broad label of 'youth' to find some more specific trait in their characters to highlight; neither is terribly graceful on stage; and both annoyingly exploit some vocal and some non-verbal mannerisms...