Word: highly
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Dates: during 1960-1969
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...most helpful viewpoint expressed by Blaine was that a large part of student unrest occurs because "the nature of the college population has changed and yet the colleges have not changed to meet the different kinds of needs which this new type of population comes with." The percentage of high school students who go on to college, Blaine pointed out, has jumped from 10 to 55 in the last 15 years. As a result, "fewer students are intellectually curious, scholarly, academic types . . . . More are . . . interested in directly coping with the problems of living...
...were leaving the park, still a little high, we looked up at the Monument. Suddenly it all became very clear. We dashed up the hill as fast as we could, joined hands, and began a mad round dance-the music was still playing-around the base of the Monument. But it was much wider than we thought, and there were only eleven of us: we pleaded with people to join us. They just stared. Soon we ran out of breath, and we quit...
...Radio Paris at Le Bourget . . ." Ae she moves into the crowd welcoming Andre Jurieu, France's latest aviation hero, the camera follows her. But the clarity of Renoir's usual tracks is gone. In the darkness of the shot only people's faces stand out; its closeness, and its high angle, let little more than the announcer and her microphone appear...
...atop it reflects her maidservant twice, filling much of the frame with her image. Very little of the rest of the room appears, and although the space over her shoulder is quite deep, this depth gives us no idea of the order of the place, although her femininity and high social class have been very strongly established by the objects and furniture. All the details of the room are there, but they give us only the feeling of the situation...
...close-up of Jurieu driving in a car, the barest amount of background road visible in the window behind him, pans across the front seat to the close-up face of his friend Octave, grimacing nervously. Renoir cuts to a distant high-angle; the car drives off the road into a ditch. Renoir cuts to a frame three-quarters filled by waving grass: it's impossible to say whether it's a low-angle shot and the characters are about to appear over its edge, or whether he's shooting a hill, or indeed where...