Word: hiltons
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Dates: during 1990-1999
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...Awad walked into the U.S. embassy in Bern, Switzerland, and announced that he had just left a bomb in his Geneva hotel room. He said he had been ordered by the May 15 Organization, a Baghdad-based terrorist group known to intelligence agencies, to blow up the Geneva Noga Hilton. But when he arrived in Geneva, he found he could not go through with it. Now he was appealing to the U.S. for help...
Rashid and Abu Ibrahim alternately cajoled and browbeat Awad into agreeing to blow up the Geneva Noga Hilton, which Abu Ibrahim said was owned by a Jew who he claimed sent a lot of money to Israel. Realizing he had got in over his head, Awad began avoiding Abu Ibrahim. Then one morning Awad went to his construction site at Baghdad's military airport and found that he and his 60 workers were locked out. The officer in charge said he had orders to shut down the job until Awad talked to Abu Ibrahim again...
Meanwhile, the Swiss asked Awad to prove that he was working for Abu Ibrahim by telephoning Baghdad. He reached the bombmaker's wife. He hadn't been able to get a room at the Hilton, he told her; he had run out of money. A few days later, a courier showed up in Switzerland carrying $1,500 in cash and a photo of Awad. It was Abu Saif. A search of his shoulder bag showed that part of a maroon vinyl liner had been cut out: the missing fabric had been used to wrap the bomb found...
...million to start a new life in Paris. There he would continue to be involved with the Palestinian freedom fighters, and to boost his credibility, the Swiss would make it look as though he had carried out his mission in Geneva. A bomb would go off at the Hilton, and there would be smoke, damage and simulated injuries. Once in Paris, Awad would help Israel identify the members of the terrorist network...
Mention feminism and art in the same breath, and some art critics begin to fume. "The feminist movement has not come up with a single talent heretofore unknown to us," insists Hilton Kramer, the founding editor of the New Criterion, a monthly arts review. "It tells us nothing about the qualities one should be studying in a work of art." But those are fighting words to the legions of artists, critics and scholars who have devoted the past 20 years to developing a feminist critique of art history. Their efforts have virtually set the agenda for academic discussion and have...