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The novel’s flashback plotline explains how Seltzer came to write such a book, recounting his trajectory from life as a long-suffering graduate student in the humanities to becoming personally concerned with matters of faith. Under the tutelage of Jonas Elijah Klapper—a Harold Bloom...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

Creative control over unfinished work is usually given to the artist’s family or friends—as is the case with Kubrick, whose son-in-law, Philip Hobbs, is pursuing the production of “Lunatic.” Though such people seem more likely than...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

Carson also brings her translator’s eye to the words of her emotionally and physically distant brother. “Because our conversations were few (he phoned me maybe 5 times in 22 years) I study his sentences the ones I remember as if I’d...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Anne Carson’s ‘Nox’ Is a Creative Tribute and Farewell | 4/20/2010 | See Source »

The pirates’ unorthodox love for the Queen is by no means the only paradox “The Pirates of Penzance” presents; in fact, Gilbert and Sullivan seem to have delighted in irony. The plot rests on an absurdity built into the contract of Pirate Apprentice...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

“Who’s ever been free in this world / Who has never had to bleed in this world?” questions a brooding Rufus Wainwright in his newest effort, “All Days Are Nights: Songs for Lulu.” These painfully ponderous...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

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