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In both “The Life of Pi” and “Beatrice and Virgil,” it becomes evident that Martel is most comfortable with expressing himself through the voice of anthropomorphized animals. Although he insists that his animal protagonists are irrevocably non-human, in...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Martel’s Tribute to Silent Victims of the Holocaust | 4/6/2010 | See Source »

The title, “Beatrice and Virgil” refers to Dante’s sublime and venal guides through Paradise and Hell in the “Divine Comedy.” Martel evidently hopes to draw a parallel between Dante’s experiences in the afterlife...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Martel’s Tribute to Silent Victims of the Holocaust | 4/6/2010 | See Source »

Disco isn’t much of a stretch for Fatboy Slim’s dance music production style, but together Slim and Byrne explore an impressive range of genres. “A Perfect Hand” presents a guitar and piano simplicity that would be at home on...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: David Byrne and Fatboy Slim | 4/6/2010 | See Source »

The play—directed by James M. Leaf ’10—opens with the bloodthirsty enthusiasm characteristic of the early days of the French Revolution. “Only cowards die for the Republic,” Danton thunders to a crowd of eager peasants. ?...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

An extreme instance of this made headlines, including Sunday’s New York Times article on the end-of-life issues surrounding the personal struggle involved in a patient’s fight to continue living in the face of severe illness. Patients with the opposite temperament?...

Author: By Gregory A. Dibella | Title: The End of History Redux | 4/6/2010 | See Source »

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