Word: hindemith
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...Malcom Holmes, '28 Guest Conductor-- *"Pomp and Circumstance," MarchElgar *Polovetzkian Dances from "Prince Igor" Borodin Rumba Clair Leonard, '22 *Academic Festival Overture Brahms G. Wallace Woodworth '24. Guest Conductor Two Choruses from "Il Matrimonio Segreto" Cimarosa 1. Oh che gioja, che piacere 2. Per imbrogliar la testa Martinslied Hindemith Choruses from "The Birds" of Aristophanes John Knowles Paine (Written for the Harvard Classical Club, 1901) (1839-1906) Finale, from Suite for Orchestra Piston *Choruses from "Iolanthe" Sulivan The Harvard Glee Club Leroy Anderson, '29, Guest Cond. *Overture to "Die Fledermaus Strauss Harvard Sketches Leroy Anderson Lowell House Bells--Freshman...
...turn toward chamber music is an interesting element of modern times, and the place of Paul Hindemith, who is playing tomorrow night in Paine Hall, is at the head of this movement. He represents a general turn from the grandiose conception of music and musicians nurtured in the romantic era. This change of attitude consists of a shift of emphasis from the idea of an artist as a man removed from the ordinary course of life by his inspiration and genius to the conception of an artist as an excellent workman--one who intends his product for use in every...
...Hindemith has developed an idiom which he has perfectly in his grasp. He has not deserted the old and tried elements of tonality and traditional counterpoint; he has rather employed them as the foundations of a clearly successful and effective idiom. He is one of the most vital and influential figures in contemporary music and it is to be hoped that he will continue to make his contact with America a personal as well as musical one. In view of his treatment at the hands of the present regime in Germany, and his prolonged visits to this country, there...
...Paul Hindemith: Sonata for Viola and Piano, Op. 11, No. 4 (William Primrose and Jesús Maria Sanromá; Victor: 4 sides). One of the most beautiful of contemporary viola sonatas, written in 1922, long before Composer Hindemith became a Kulturbolschewist...
Since that time most composers have been content to compose in one direction. Not so the famed, self-exiled German modernist, Paul Hindemith. Twelve years ago, before Nazi censors decided he was a Kulturbolschewist, sad-eyed Composer Hindemith dished up a whole opera in crab style. Last week an enterprising group of Juilliard Graduate School alumni gave this crab-style opera its first Manhattan hearing...