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...several times. We are spending time with Chinese unions so they won't adopt a U.S. model with the attitude of "I've got mine, and the devil take the hindmost." The idea that the rich get richer and somehow wealth is going to trickle down is a bankrupt economic and moral theory...

Author: /time Magazine | Title: 10 Questions for Andrew Stern | 7/31/2005 | See Source »

Frankly, we're due. And that brings me to another batch of three: The Crash of the Millennium by Ravi Batra, who, as they say, has called five out of the past two recessions; Beat the Millennium Crash by Jake Bernstein; and Devil Take the Hindmost: A History of Financial Speculation (Dutch tulip bulbs to junk bonds) by Edward Chancellor. The bubble theories in these books at the very least provide some counterweight to the sky's-the-limit authors...

Author: /time Magazine | Title: Dow 1,000,000 | 10/11/1999 | See Source »

...could not help comparing the [Jan. 19] approach to life of the "Power Boys" with that of Mother Teresa and the other "Living Saints" you presented a few weeks ago. If our best response to the problems of the world is "Devil take the hindmost," then the species does not deserve to survive...

Author: /time Magazine | Title: Forum, Feb. 9, 1976 | 2/9/1976 | See Source »

Whether rich nations will in fact make short-term sacrifices for the sake of long-term gains is debatable. Certainly, the traditional response has been for every country to try to maximize its own immediate wellbeing, and the devil take the hindmost. But the Club of Rome insists that altruism is possible if seen not as charity but as necessity. The alternative, it repeats over and over again, is mankind's lemming-like rush toward disaster...

Author: /time Magazine | Title: Environment: The Club of Rome: Act Two | 10/21/1974 | See Source »

...center of film production. Since the European industry was small and loosely organized, such directors as Vittorio De Sica, Ingmar Bergman, Federico Fellini, Michelangelo Antonioni, Alain Resnais, François Truffaut and Jean-Luc Godard could pretty well shoot them as they saw them and let the censor take the hindmost. As a result, they made a number of fine far-out films (The Bicycle Thief, Wild Strawberries, 8½, L'Avventura, Hiroshima, Mon Amour, The 400 Blows, Breathless) that made a startling amount of money...

Author: /time Magazine | Title: Actresses: Birds of a Father | 3/17/1967 | See Source »

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