Word: hines
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...recording angel of the American proletariat in the early 20th century was all but forgotten when he died in penury in 1940. He was a mild, slender, clerkish-looking and almost incredibly tenacious man named Lewis Hine. Lugging his clumsy 5-by-7 camera into the factories and mines and sweatshops of America, from the immigrant queues of Ellis Island to the cotton mills of North Carolina, Hine did for the laboring poor of his country what Henry Mayhew had done for London workers in the earlier years of Queen Victoria's reign. He identified a class and made...
Social Change. Hine, of course, believed more than that. To him the camera was an instrument of social change: it could shift the world's inequality a little. "I wanted to show the things that had to be corrected," Hine modestly remarked. "I wanted to show the things that had to be appreciated." This ambition arose quite early. Born in 1874 in Oshkosh, Wis., the son of a coffee vendor, Hine grew up working. "After grammar school in Wisconsin's 'Sawdust City,' " he recalled, "my education was transferred to the manual side of factory, store...
...Pass the Hine and Montecruz...
...that had to be appreciated." Thus, after decades of lugging his camera into the crannies of American misery and hope-ghetto Jews and child pieceworkers in the verminous cellars of New York, riggers on the high steel, the corridors of Ellis Island and the mine tunnels of Pennsylvania-Lewis Hine, once a schoolteacher but also one of America's great reformist photographers, gave his modest definition of "concerned" photography. All arts, in theory, have some social resonance. But documentary photography is uniquely a social act, for its sole purpose is to make people concrete to each other...
...Audubon Society's headquarters, and pigeons still roost in its unrenovated attics-it has an ample program: exhibitions, archive, study center, seminars, master classes, lectures. It is a culmination of years of effort by Capa to get museum exposure for such doyens of the document as Lewis Hine and Andre Kertesz, together with Capa's contemporaries and friends, some prematurely dead: David Seymour Dan Weiner, Werner Bischof, and Capa's brother Robert, who died in Indochina in 1954. Their work forms one of the center's inaugural shows, Classics of Documentary Photography"; another floor is given...