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...filmmaking brio, the narrative twists and drive, that mark solid updates of the classic Hollywood style. That the jurors ignored every member of this quartet, while laying hands on Van Sant's very minor indie effort, could possibly suggest an anti-Hollywood agenda. Major U.S. studios may take the hint, and be more reluctant to submit films for the competition in future years...

Author: /time Magazine | Title: The U.S. Mostly Snubbed at Cannes | 5/27/2007 | See Source »

...hopeless,” “nonsense,” on the one hand; “doubtless,” “obvious,” “unquestionable,” on the other, will have the same effect. A hint of nostalgic, antiacademic languor at this stage as well may match the grader’s own mood: “It seems more than obvious to one entangled in the petty quibbles of contemporary Medievalists—at times, indeed, approaching the ludicrous—that smile as we may at its follies...

Author: By A Grader | Title: A Grader’s Reply | 5/16/2007 | See Source »

...Nickolaw couldn't match Bennett for sumptuousness - Encores! revivals are staged with just the hint of scenery - but he found so much meaning and ache in the show that it didn't matter. Stripped of its finery, Follies was now pure and profound. He also seamlessly integrated the older stars playing the 1970s characters with the young actors playing their 1940s incarnations, cheerful and naive, committing the one forgivable sin of youth: to hope...

Author: /time Magazine | Title: Broadway's Fabulous Follies | 5/12/2007 | See Source »

...honor and I am the thief. While her English is fluent, her way of forming words is international; mostly North American, but also with a slight French curviness, a few of the hard consonants of Hebrew - and for certain words, what sounds like an Irish inflection. Maybe even a hint of Dutch traces in there as well. But when she sings, it's with the elocution of a modern American folk-rock troubadour...

Author: /time Magazine | Title: The Sweet Songs of Keren Ann | 5/7/2007 | See Source »

...before bursting into sheepish laughter. She is in her natural habitat, the mainstage of the Loeb Drama Center, where she’s put years of dedicated work into the Harvard drama scene.Now, she is dressed in everyday clothes, with a long, tiered skirt adding a hint of drama to her appearance. But the true drama is in her face, in the mobile features that light up as she discusses her greatest passion—acting. “I’m a big diva,” she proclaims, and turns to her friend and co-worker, Kara...

Author: By Diane J. Choi, CONTRIBUTING WRITER | Title: Mary E. Birnbaum '07 | 5/2/2007 | See Source »

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