Word: hinting
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...chest with a .25-cal. weapon-lying beneath the underbrush in a section of Central Park called the Ramble. Gallagher had not been robbed; he had no criminal record; he had no access to any classified nuclear information, police said. At week's end police could offer no hint to the killer's identity or his motive. But they reminded New Yorkers again that the Ramble, a sunny sanctuary for birds and bird watchers like Charles Gallagher during the day, had long been a junglelike hideout for muggers, holdup men and perverts after dark...
Though work on a vaccine is being pushed, none can be ready this year. Last week came a hint that German measles may be one of the first virus diseases to yield, at least partially, to drug treatment. University of Michigan researchers told the Federation of American Societies for Experimental Biology that amantadine, a drug synthesized by Du Pont chemists, works against German measles virus in the test tube. And it is safe enough to have been used with promising results on influenza patients. Such a drug may help children, but proving its safety for pregnant women will take years...
...movie within a movie: a master criminal steals the print of a film called The Girl Who Stole the Eiffel Tower and holds it for ransom. Got it? Forget it. Lacking inspiration, Writer George Axelrod (The Seven Year Itch) and Director Richard Quine should have taken a hint from Holden, who writes his movie, takes a long sober look at what he has wrought, and burns...
...aristocrat is the servant of his passions; the servant is the master of his master. A reversal of roles is certainly central to Harold Pinter's screenplay in The Servant. But Pinter and director Joseph Losey hint at much more--and hint is about all they do--for while milord falls from high estate, diabolical manservant wages war with snooty girlfriend, and the gentleman is more the pawn than the prize. The meaning of the conflict? Well--it's hard...
Perverse Roses. From the first lurid hint that Béjart's Faust was a little special, everyone hoped for the worst. Béjart, 37, has a well-burnished reputation as an enfant terrible director of theater, ballet and opera. His talent for welding all three together into erotic iconoclastic visions of such works as The Merry Widow and The Tales of Hoffmann has made his name a café cliché: "style Béjart" means art that is mercilessly frank...