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...controversial revision concerns names and titles. In an effort to prevent a future Council executive from misusing his position a la Howie Phillips, the office of president will be changed to chairman. To guard against any hint that the Council is authorized to represent undergraduate thinking, the committee suggests that the name Student Council be replaced by Harvard Council for Undergraduate Affairs (HCUA...

Author: NO WRITER ATTRIBUTED | Title: Council at Stake | 11/10/1961 | See Source »

...drive will soon include personal visits to alumni, and as player-alumni contact increases, overall implications of the project hint of a "Friends of Harvard Rugby" organization, similar to the groups found in other sports such as track. In the past, these organized alumni groups have provided beneficial financial and moral support for Crimson teams, and have urged greater self-perpetuation and interest in the sports...

Author: By James R. Ullyot, | Title: Rugby Club Plans Trip to Europe | 10/20/1961 | See Source »

Midway through the quarter Ohiri gave the crowd and the opposition a hint of things to come. Bearing down on lonely Amherst goalie Tony Scolnick, Ohiri slammed a low line-drive, missing by inches. Moments later, Harvard center-halfback Billy Ward bounced his first of two shots off the posts, and the Crimson scoring machine seemed ready to move into high goar...

Author: By Stephen C. Rogers, (SPECIAL TO THE CRIMSON) | Title: Soccer Team Downs Amherst in Rain; Ohiri Scores All Goals in 4-2 Triumph | 10/16/1961 | See Source »

Paris Blues (United Artists) has something for the tourists: autumn in Paris. It has something for the cats: regressive jazz by Duke Ellington. It has something for the newspaper ads: a hint of interracial romance. It has something for the marquee: Paul Newman, Joanne Woodward, Sidney Poitier, Diahann Carroll, Louis Armstrong. All it lacks is something to pull these parts into a sensible whole...

Author: /time Magazine | Title: Cinema: Jazz & All That Jazz | 10/13/1961 | See Source »

Unfortunately, the Busch has assembled an exceedingly unimaginative show out of fascinating materials. With no hint of an understanding for the effects the movement has had on contemporary art and architecture, and with little consciousness of the unifying concept the Bauhaus had of the arts, the Busch merely presents the viewer with unrelated objects...

Author: By Michael S. Gruen, | Title: Artists of the Bauhaus | 10/5/1961 | See Source »

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