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Streep's performance as the present-day Anna is adequate in its bitchiness, but as the Victorian Sarah the actress comes into her own. Where Anna is predictably modern, Sarah has a hint of madness. The transformation between the two is captured in one of the film's best moments. Mike and Anna are wearing everyday clothes in their hotel room, rehearsing a scene in which Smithson comes upon Sarah with her skirt caught in a bush. They talk it through once--and then Streep does it, standing up and walking toward Irons. The costume doesn't matter: her eyes...

Author: NO WRITER ATTRIBUTED | Title: Time Lapse | 10/5/1981 | See Source »

...union members are being asked to bear the brunt of America's economic decline. Though many workers have risen to middle class stature and find the PATCO strike distasteful, the business-labor alliance may not last long at all. Washington's September 19 Solidarity Day is the first symbolic hint of these shifting winds...

Author: By Laurence S. Grafstein, | Title: Three Strikes and More | 9/14/1981 | See Source »

...slap of a clapper board indicates the start of a "take," and of this film. Few will note that the names on the slate are fictitious, not those of Reisz and his cinematographer Freddie Francis; but it is the first hint of the life-to-be outside the walls of the period story. The audience will learn soon and often enough: 14 times, the "present" film-within-the-film will give way to the "past" film-within-the-film-within-the-film. Inside the deepest box it is 1867, and Charles Smithson is again living out his perplexed obsession with...

Author: /time Magazine | Title: Cinema: When Acting Becomes Alchemy | 9/7/1981 | See Source »

...many foreign films. As Katerina's flashes of girlishness become more precious, more subdued, and more rare, one slowly feels the complexity of maturity with all it's dreadful compromises. It is not until the last fortyfive minutes or so that Menshov even bothers to give you a hint that such naivete might be fulfilled. It will come, of course, embodied in a lover who can be one with all the personas Katerina has created--a knowing idealist, a lover and an admirer of her work. And, impossibly, he does come. His name is Gosha (Alexei Batalov...

Author: By Thomas Hines, | Title: Filmpolitik | 8/11/1981 | See Source »

...Hint: connect the centers of the circles to form a triangle, which turns out to be a similarly aligned shrunken (or homothetic, as mathematicians say) version of the original triangle...

Author: /time Magazine | Title: Science: High-IQ Battle for the Gold | 7/27/1981 | See Source »

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