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...about arms control while retaining the SALT II treaty's "positive elements"-a phrase reminiscent of Reagan's speeches during last fall's campaign. Brezhnev also tossed out a variety of negotiating ideas that Secretary of State Alexander Haig judged "new and remarkable." Among them: a hint that the Soviets might consider expanding an existing agreement under which NATO and the Warsaw Pact countries have been notifying each other of major troop movements near the European zonal border, to cover military maneuvers within the U.S.S.R. as far east as the Urals...

Author: /time Magazine | Title: Changing the Subject: Reagan's Foreign Policy | 3/9/1981 | See Source »

Throughout the film, there is a deliberate refusal to judge any of the characters in political terms. Truffaut is perhaps only interested in showing the real lives which existed in spite of the occupation. But this distant stance, this refusal to do more than hint at the dread, eventually condemns the film to the realm of the superficial. It is the equivalent of a period piece, a nice love story in an interesting time, and one leaves the film with nothing more than the memory of some beautiful visual scenes--something which seems superficial in the face of the subject...

Author: By Thomas Hines, | Title: Truffaut's Diffidence | 3/2/1981 | See Source »

Between the lines there may be evidence of a little surprise. Is he upset about the bureaucracy's fighting his budget plans by leaking information to the press? There is just a hint that he is. He talks about the Soviets "snarling back" at him because he called them criminals, cheats and liars. He has learned Rule 1: Every presidential thrust produces a counterthrust...

Author: /time Magazine | Title: The Presidency: A Mingling of Old and New | 2/16/1981 | See Source »

Sylvie and Ruth are passive, quicksilver characters, prone to skittering off at a hint of pressure. Having created wraiths without motives or accountable pasts, Author Robinson left herself a big problem: how to nudge them through a plot, make them interesting, worthy of attention, when they seem so indifferent about themselves. She solved it with language. Ruth's narrative is as colorful as she is pal lid. For a self-confessed dreamer with a tenuous hold on reality, she shows a keen sense of the here and now, and of the right words to record it. She notices...

Author: /time Magazine | Title: Books: Castaways | 2/2/1981 | See Source »

Many non-drivers hint vaguely at some ghastly automotive da fé in their past. Others have good reason to leave the driving to someone else. Says English Actor Michael Caine: "When I was young I couldn't afford a car, and now that I'm rich I can afford a chauffeur." Richard Harris, the Irish actor, has not driven since the merry day he had a donnybrook with a bus and decided he was a menace at the wheel; he also can afford a chauffeur. Author T.H. White (The Sword in the Stone) used to barrel...

Author: /time Magazine | Title: Living: Kiwi in the Catbird Seat | 1/26/1981 | See Source »

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