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...best. Duane Allman might have been the finest white guitarist alive, but he was at heart a sideman, and often his brilliant work would get lost because his brother Gregg was singing. Gregg couldn't sing worth shit, but his voice had a sixties edge to it, a hint of hostility, which made it take over when it rose...

Author: By Richard Turner, | Title: Richard Betts: American Musician | 12/12/1974 | See Source »

...there are people like Corcoran who believe we must refocus our concern and energy on domestic affairs. In that context, the remark able Henry Kissinger becomes, oddly enough, a kind of problem. There was just a hint at Vladivostok that he was seducing Gerald Ford to walk the same primrose path of summitry that Nixon trod. ∎ That land of life is delightful with the urbane Kissinger as tour director. He brings those big fat briefing books that lay the whole plan out. It is all very coherent and tidy, a given schedule with largely predictable results that rest...

Author: /time Magazine | Title: THE PRESIDENCY: Look Homeward, Gerald Ford | 12/9/1974 | See Source »

...first hint of trouble had come only six days earlier, when Ethiopia's press announced that Major Mengistu Haile Mariam, whose name was previously unknown, had been the "true moving force" behind the nine-month-old "creeping coup" against Haile Selassie...

Author: /time Magazine | Title: ETHIOPIA: Massacre in the Night | 12/9/1974 | See Source »

...issue and personal idiosyncrasy. Fresh from its impeachment triumph, the committee was plainly determined to outdo its Senate counterpart, the Rules Committee, in dissecting the Rockefeller persona and finding out what makes it tick. Rockefeller, on the other hand, was no less concerned with clearing his name of any hint of scandal or conflict of interest. It was a rigorous confrontation of intellect and ideology in which, in a way, both sides emerged as winners...

Author: /time Magazine | Title: THE VICE PRESIDENCY: Making Friends in the House | 12/2/1974 | See Source »

Three prints--which Goya titles simply, "No Quieren" (They Don't Want To), "Tampoco" (Nor Those), and "Ni Por Esas" (Neither Do These)--show the brutality with which the victorious French raped the Spanish women. Figures in the shadows only hint at the viciousness, but an arc of Goya's light illuminates a half-naked woman being dragged by a French soldier away from the body of her screaming child...

Author: By Kathy Garrett, | Title: The Sleep of Reason | 11/19/1974 | See Source »

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