Word: hints
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WHAT would happen if Israel suddenly agreed to repatriate a sizable number of Arab refugees? How would the Arabs be received and how would they live? One hint may be found in the status of the Arabs who stayed put when Israel was founded in 1948 and are now full citizens of the predominantly Jewish state...
...douche concentrate that is offered in two floral scents (orange blossom and jasmine), as well as two flavor scents (raspberry and champagne). The ads were created by Marsteller Inc., a relatively sober agency that includes among its accounts IBM, Dannon Yogurt and Fruit of the Loom. Vogue banned any hint of the flavors, and the ad in that magazine showed only the floral scents...
Only a few articles hint at the meaning of female liberation. Betsy Warrior, in "Man as an Obsolete Life Form." by condemning man (not the species) for his aggressive, destructive tendencies, implies that the "female principle" (peacefulness, non-competitiveness) is what she values. But her vehement put-down of men sticks more strongly in one's mind: "Like the tyrannosaurus, man is blocking evolution.... Until he gives up existence, there will be no relief from suffering nor any moral progress on this planet." She is smiling slightly, we hope, even though her tone is grim. But she is serious...
Word also doubles as the Player King and the gravedigger. Tying together the Ghost and the Player King is a superb stroke, since characters hint at magical other realities. One never really knows whether the Ghost really exists, or is rather imagined by some of the characters. "Reality" is likewise broken down in the device of staging a play within the play: The Murder of Gonzago, which is also the story of a king murdered by his wife and her lover. Since Word plays both the murdered king in The Murder of Gonzago and the dead king's ghost...
...head slightly, and Griffith cuts away to a bevy of side-lit dancing girls, the floor show, advancing and twisting. This cut, inexplicable if one tries to find in it some definite comment on Menjou's character greatly enlarges the weight of his gesture, draining a world from a hint of sentiment. And Griffith cuts not on the formal qualities of the two shots, or on their content, but on the ideal power that runs through the action of both...