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...modern dance from South Asia, Dance Edge, a local company that displays the work of amateur choreographers, and the Harvard Philippine Forum, which will mix traditional cultural dance with new versions set to Ciara’s “One, Two Step,” among other hip-hop staples. A deviation from the more traditional dance forms—such as those of The Harvard Ballroom Dance Team and Harvard Ballet Folklorico—is Mainly Jazz, a company which presents a mix of jazz, hip-hop, and funk. Choreographer Shruti E. Saini ’06 incorporated...

Author: By Erin A. May, CRIMSON STAFF WRITER | Title: From Ballet to Macarena | 5/4/2006 | See Source »

...modern dance from South Asia, Dance Edge, a local company that displays the work of amateur choreographers, and the Harvard Philippine Forum, which will mix traditional cultural dance with new versions set to Ciara’s “One Two Step,” among other hip-hop staples...

Author: By Erin A. May, CRIMSON STAFF WRITER | Title: From Ballet to Macarena | 5/4/2006 | See Source »

Deviating from the more traditional dance forms represented by companies such as The Harvard Ballroom Dance Team and Harvard Ballet Folklorico, is Mainly Jazz, a company which presents a mix of jazz, hip-hop, and funk. Choreographer Shruti E. Saini ’06 incorporated moves from her background in cheerleading and dance team to create a high energy piece set to 90’s hits like “Love Shack,” “Baby One More Time” and everyone’s all-time favorite, the “Macarena...

Author: By Erin A. May, CRIMSON STAFF WRITER | Title: From Ballet to Macarena | 5/4/2006 | See Source »

...Opalgate” is bordering on the absurd. Kaavya Viswanathan ’08, author of “How Opal Mehta Got Kissed, Got Wild, and Got a Life,” borrowed liberally from another author’s work. So what? In the hip-hop world, this goes down all the time. The main question for all the chick-lit fans, and possibly the courts, is whether Viswanathan is a “biter,” or just standing on the shoulders of giants (if it’s fair to put author Megan McCafferty...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Kaavya Viswanathan—Master Sampler? | 5/3/2006 | See Source »

...continue her commitment to dance. “I wanted to do something that would enable me to choreograph and to use all of the styles that I had learned over the years,” she says. “Expressions, with its emphasis on student choreographed hip-hop and funk pieces infused with jazz and lyrical...was the perfect fit.”With her choreography for the 2004 Cultural Rhythms show, Cloud created an unprecedented fusion of diverse styles. “I set [my] piece to an old techno song by Prodigy and literally taught...

Author: By Alison S. Cohn, CONTRIBUTING WRITER | Title: Shana J. Cloud '06 | 5/3/2006 | See Source »

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