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...Daniel Dumile, Brian Burton, Dennis Coles, Thomas Calloway, Talib Greene. Now if that isn’t an all-star line-up for a hip-hop album?...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: The Mouse and the Mask | 10/20/2005 | See Source »

...They dropped the afro-centric opus “Nia” in 2000, followed by their genre-bending breakthrough “Blazing Arrow” in 2002. On “The Craft,” the two have branched out even further, leaving the straightforward hip-hop vibes of earlier work for the marshy turf somewhere between hip-hop, jazz, electronica, and funk, where Outkast’s Andre 3000 has built his secret lab. “The Craft” is laced with swirling atmospheric washes, funkified melodic loops, ethereal crooning, snappy drumlines, and even...

Author: By Sam D. G. Jacoby, CRIMSON STAFF WRITER | Title: Review of the Week: The Craft | 10/20/2005 | See Source »

...Impressed yet? You should be, because Danger Doom’s debut, “The Mouse and the Mask,” is a hip-hop cocktail party of the scene’s brightest stars, brought together under the bizarre theme of Adult Swim cartoons...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: The Mouse and the Mask | 10/20/2005 | See Source »

...Doom, who broke out with last year’s collaboration with producer Madlib “Madvillainy,” is infamous, at least partially, for channeling Marvel Comics super villain Dr. Doom in his metal-faced stage persona. Danger Mouse became a hip-hop household name through his unauthorized mash-up project “The Gray Album” (a mixture of Jay-Z’s Black Album and the Beatles’ White Album). Many Adult Swim cartoons borrow liberally from past Hanna-Barbara productions (Aqualab and Space Ghost, in particular). In this way, collaboration...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: The Mouse and the Mask | 10/20/2005 | See Source »

...Sure, hip-hop legends like De La Soul have been known to pull off entertaining skits (“Brain-Washed Follower” is a stand-out example), KMD’s albums are peppered with them, and even “Madvillainy” features a somewhat light-hearted paean to the glories of “grass.” But having almost every track either begin and/or end with a skit seriously impacts the repeat listening capacity of the album...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: The Mouse and the Mask | 10/20/2005 | See Source »

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