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Word: hip-hop (lookup in dictionary) (lookup stats)
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...piece, “Blossom,” is a 15-foot tall reconstruction of a tree whose trunk penetrates and supports a life-size piano; this oddity is characteristic of Biggers’ large installation pieces, which have touched on subjects ranging from the state of hip-hop to Eastern mysticism...

Author: By Alex E. Traub | Title: Going Underground: Biggers’ New Exhibition Explores Slavery | 11/6/2009 | See Source »

...dance, and Josie was really the perfect person,” Walker says. Walsh’s piece promises an extravaganza of movement that combines the daring technique of a Cirque de Soleil production, the throbbing musical energy of a rock concert, and the exhilarating drive of a hip-hop battle...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...attempted to attain in the past, the results of which are largely unfortunate. One of the most anticipated songs on the album is “Can’t Stop Partying,” co-written by Jermaine Dupri and featuring a rap solo by one of the hip-hop world’s most recognizable figures, Lil’ Wayne. Weezer takes a shot at dance-pop, using the cliché R&B babes and booze formula: “I gotta have Patron / I gotta have the beat / I gotta have a lot of pretty girls around...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Weezer | 11/6/2009 | See Source »

Radioclit unveil their westernized, hip-hop stylings on songs like “Angonde” and “Julia.” On “Angonde,” the sound expands, rolling with thick, pounding drums and a soft, insistently rhythmic, Arabian guitar. Here, Radioclit process Mwamwaya’s rich vocals with a vocoder, electrifying and stiffening his voice to levels well below the T-Pain and Imogen Heap side of the spectrum so he maintains some of his trademark warmth while providing the crisp, electric harmonies. Throughout the track, a lone, hopeful violin pours...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: The Very Best | 10/23/2009 | See Source »

...Julia” successfully melds the repetitive synth-hooks and deep drums of modern hip-hop with Mwamwaya’s hundred-voice-harmonies. It is, however, too patterned for its own good and remains one of the less-engaging tracks on the album...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: The Very Best | 10/23/2009 | See Source »

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