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...intended his words to apply to Third World artists struggling to shatter the psychological and metaphysical shackles of European domination. How could he have predicted that, 37 years later, his writings would succinctly summarize the raison d'etre of a new musical movement in R. and B. and hip-hop...

Author: /time Magazine | Title: Music: Neo-Soul On A Roll | 7/6/1998 | See Source »

...another, but still kin. Somewhere in the noisy postmodern collages of Beck one can find echoes of Irving Berlin. Though Chuck Berry may roll over when he hears it, devil-rocker Marilyn Manson counts among his musical offspring. Whether he likes it or not, Puff Daddy's pop hip-hop is a direct descendant of Hammer's Las Vegas-style rap. The Spice Girls may not be the apex of musical evolution, but they do have their links to Cole Porter. It is in this endless cross-fertilization of country and blues, jazz and heavy metal, rap and alternative rock...

Author: /time Magazine | Title: The Long And Winding Roads | 6/8/1998 | See Source »

Leslie, who has written between 60 and 100songs, describes his music as a mix of hip-hop andrhythm and blues, but admits to having severalinfluences on his music--namely the music he sangin church when he was growing up and performerslike Stevie Wonder...

Author: By Anne C. Krendl, CRIMSON STAFF WRITER | Title: Not Just a Musician, Ryan Leslie Does It All | 6/4/1998 | See Source »

...Irish rock group U2. Presenting Sinatra with a special "Legend" Award at the Grammys in 1994, Bono pinpointed Frank's appeal for a new generation: "Rock-'n'-roll people love Frank Sinatra because Frank Sinatra has got what we want--swagger and attitude." And 19-year-old hip-hop soul singer Usher admires Sinatra's I-did-it-my-way attitude so much that he named his new album after Sinatra's signature song. Usher's My Way has sold more than 3 million copies...

Author: /time Magazine | Title: Sinatra, 1915-1998: How His Music Lives On | 5/25/1998 | See Source »

...acme. With their mostly undistinguished arrangements backing the saxophonist as if he were a B-list crooner, the sessions have long been dismissed by jazzbos as being beneath his talents. But he himself was proud of them, and listeners today, accustomed to the burr-in-your-ear juxtapositions of hip-hop and electronica, may find something bracing in the sheer sound of these records, a pleasing shiver in hearing Parker's acerbic horn cutting against the schmaltzy grain of massed violins. Then again, this may be a minority opinion...

Author: /time Magazine | Title: Music: Strings Attached | 5/18/1998 | See Source »

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