Word: hip-hop
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...Vanguard hip-hop artist Missy Elliott has broken new ground once again with the debut of her latest music video in glorious 3-D. Ironically, in taking this step into uncharted territory, the artistic innovation we have come to expect from Elliott actually suffered. The video, directed by Dave Meyers, features “Ching-A-Ling” and “Shake Your Pom Pom” off the “Step Up 2 The Streets” soundtrack. To make the video, Elliott and Meyers teamed up with Walt Disney Studios, the same people behind...
...Grammy Awards on Feb. 10, including one for Album of the Year. While the Grammys are notorious for their grandfatherly taste (she'll be competing against Herbie Hancock, among others), they're spot-on about Winehouse. On Back to Black she sounds like Dusty Springfield teleported into the hip-hop era. The songs?all of which move with the economy of old 45s and all of which Winehouse had a hand in writing?tell tight, complicated stories, but more important, they tell her stories...
...Atlanta nightclub a couple of years ago maintained separate web sites aimed at black and white crowds, on which it promoted nights designated for each audience. Friday night at another club, the Velvet Room, typically sees the line out front dominated by black people, while the DJs inside spin hip-hop, reggae and R&B. The following night finds the same trendy venue packed with whites and some Asians, dancing to a blend of hip-hop, pop and techno...
...Even in other racially divided cities, the club scene is often one area where races mix like rum and Coke. But not in Atlanta, where an unspoken code translates billings such as "techno night" into "white night," while "hip-hop night" means "black night." Some club owners and event promoters have tried with, at best, limited success to buck the status quo. Ski plans to open his own nightclub later this year where he hopes to draw more mixed crowds. But, like Dr. King, they have learned that major change is accomplished not in sprints but rather in baby steps...
...Company’s strongest appearance in the first half of the evening was a piece that choreographer Christina G. Vangelakos ’09 set to B2K’s “Take it to the Floor.” The high-energy piece combined elements of hip-hop and jazz for a fresh performance in which Kelly L. Fitzgerald ’10, Iris Odstrcil ’10, Owings, and Vangelakos truly shone. The choreography, which involved some demanding floor work and turn sequences, was generally strong but flagged a bit during a few redundant sequences...