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...chrome ornaments-compiles the raving apologia of academics and designers in its own, biannual journal (sample: "Hotels of the avant-garde are rapidly becoming the starting points for experiences of reality that allow orientation in a world that is both falling apart and coming together"). Thames & Hudson publishes the Hip Hotels series, an anthology of vacuity, as well as the StyleCity collection of travel guides. To enter the latter's realm-or, for that matter, the domain of the Luxe City Guides or the Wallpaper City Guides-is to land in a parallel universe of depressingly uniform bars and boutiques...

Author: /time Magazine | Title: Vive la Différence | 3/8/2007 | See Source »

...class "Bowery boys" and "Bowery gals." Arising spontaneously in the '40s in New York City, they constituted the first American youth subculture, with distinctively over-the-top styles of dress and deportment and slang. They were foul-mouthed and rambunctious, and glorified physical violence--in practically every way the hip-hop generation of their...

Author: /time Magazine | Title: 1848: When America Came of Age | 3/8/2007 | See Source »

...ensure local citrus. The restaurant grows many of its own herbs and makes its own ketchup. And last fall Café 150 jarred tomatoes and fruit so that even though it's March, Googlers can get a taste of the local harvest every day. Imagine that: a company as ostentatiously hip as Google canning fruit in its kitchens...

Author: /time Magazine | Title: Eating Better Than Organic | 3/2/2007 | See Source »

...ain’t your bitch, I ain’t your ho,” cries out vocalist Jennifer Sanon in a style reminiscent of Billie Holliday. The sentiment defines “Love and Broken Hearts,” an attack on hip-hop culture from trumpeter Wynton Marsalis’ new release, “From the Plantation to the Penitentiary.” Sanon grieves the decline of the love song and the rise of “modern day minstrels” with “songless tunes,” who emphasize sex over...

Author: By Noan L. Nathan, CRIMSON STAFF WRITER | Title: Wynton Marsalis - "From The Plantation To The Penitentiary" | 3/1/2007 | See Source »

Students watched Hurt on-screen in his evolution into an activist whose post-college soul searching led him to challenge hip-hop artists like Mos Def, Fat Joe, and Busta Rhymes to contemplate images of manhood in their music...

Author: By Allison M. Keeley, CONTRIBUTING WRITER | Title: Scene and Heard: the Remix | 2/28/2007 | See Source »

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