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Word: hipness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...drastic escalation. During a January "Human Be-In" at Golden Gate Park, 10,000 hippies turned out to sing folk-rock songs, watch a psychedelic parachutist descend from a "high trip," and listen to Hindu prayers by Sometime Guru Allen Ginsberg, who has survived the transition from beat to hip. Even members of Hell's Angels, the roughknuckled, leather-jacketed motorcyclists in Nazi drag, turned up to turn on: some were seen holding lost children or gently shaking tambourines. Not a single fight marred the Be-In, and as the sun went down (to the sullen wail of Ginsberg...

Author: /time Magazine | Title: San Francisco: Love on Haight | 3/17/1967 | See Source »

...part of this worship of youth, this attempt to crack the mold of middle-age with newness, the beautiful people frug frenetically, bounce in and out of underground movies, wear mod clothing, and buy pop art. But they aren't hip. Above all, they aren't hip. They may posses all the equipment but they can't buy the spirit--that Frodo Baggins--Emmett Grogan quality described in the March issue of Ramparts, that spontaneity and excitement which should accompany granny print shirts and paisley pants...

Author: By John D. Reed, | Title: PEORIA SOCIETY | 3/4/1967 | See Source »

...West Coast, two widely different takeovers last week were the business talk of the territory: >Gulf & Western Industries, the auto parts, chemicals and mining conglomerate, which went hip-deep into the entertainment field last October by buying troubled Paramount Pictures in a $165 million stock swap deal, waded in farther. G&W agreed to take over Hollywood's Desilu Productions, the TV film maker controlled by Comedienne Lucille Ball, for $17 million in stock. Desilu produces four TV series (The Lucy Show, Mission: Impossible, Star Trek and You Don't Say), rents production facilities to 13 others, including...

Author: /time Magazine | Title: Acquisitions: Into New Territory | 2/24/1967 | See Source »

This generation--call it mod, pop, turned-on, hip, or any of the other catch phrases of this label-happy era--asserted itself by establishing a new standard of moral behavior. The process obviously involved redefinition: in the '30's, photographer meant Stieglitz, Steichen, Dorothea Lange; now photographer means cool. But Michaelangelo Antonioni has other ideas...

Author: By Tim Hunter, | Title: Blow-Up | 2/15/1967 | See Source »

...when characterizing his social environment. Antonioni sketches his mod London in black-and-white values, as entirely worthless. He depicts the young people at the rock-and-roll club and the pot party as incapable of individual emotional reaction, responding only in groups to escapist stimuli and the newest hip symbols (the electric guitar handle). This damning of a culture en masse is suspect; in setting his hero against a background of complete sterility, Antonioni has taken the easy way out, avoiding the challenge of creating a more perceptive analysis of the generation with which he is dealing...

Author: By Tim Hunter, | Title: Blow-Up | 2/15/1967 | See Source »

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