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Word: hipness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...philosophy that life is absurd. Electrically powered kinetic sculpture by Len Lye and Nicolas Schoeffer moved, twisted, roared and thumped at the Albright-Knox Art Gallery. All this and more galore was part of the two-week Buffalo Festival of the Arts Today, perhaps the most all-encompassing, hip, with-it, avant-garde presentation in the U.S. to date...

Author: /time Magazine | Title: Avant-Garde: Did You Ever, Ever, Ever | 3/19/1965 | See Source »

...Even those with a bit more substance to them, like Bien Jolie's flowered-net version ($11) and Warner's "The Body" ($12.50), are sheer enough to read through, small print included. As for girdles, most, like Gossard's Lycra net ($4) and Formfit's hip-rider ($4), offer low-down control in only a seam or two: the rest is up to the customer...

Author: /time Magazine | Title: Fashion: The Facts of the Matter | 3/19/1965 | See Source »

...have occupied most of his energy during the last decade is not novel writing but a messianic effort at transmogrifying the entire U.S.-society, psyches, applecarts and all. That this is the business of a holy man, or an adman, does not deter him. Mailer yearns to be hip, but he is inescapably square. For only a born square would preach the way he does. That is what is exasperating, touching, and ultimately tedious about...

Author: /time Magazine | Title: Books: The Public Act | 3/19/1965 | See Source »

...Munich. But her career as a dancer came to an abrupt end in 1934. During a rehearsal at the Vienna State Opera House, a trap door opened suddenly, and Margherita plunged, she says, "like Eurydice into the underworld." She fell 14 feet onto an iron framework, breaking a hip...

Author: /time Magazine | Title: Opera: The Lady General | 3/12/1965 | See Source »

...Battle hip Potemkin is possibly the purest example of Eisenstein's descriptive technique, which he called "montage." Working from a simple, almost schematic series of events, Eisenstein tries to translate the story's social consequences into visual images--faces, gestures, and objects. He isolates fragments of an event and strings them together like the parts of a sentence, which qualify each other and add up to a statement. Certain images become symbols: the surgeon's pince-nez stands for the surgeon and in turn for the Czarist authority he represents...

Author: By William H. Smock, | Title: The Eisenstein Festival | 2/26/1965 | See Source »

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