Word: hipness
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Dates: during 1970-1979
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...attack clicked again as Ryan launched a big gainer to Decker at the 10. From there, Ryan faked everyone out, tucking the ball behind his hip on a keeper to the 3. He then pitched to the fleet Tom Weidenkopf on the option to make the score 27-0. A pointless Harvard series of Lahti incompletes turned the ball back over and again put the defense to the test. On the first play, Ryan burned the lagging resistance, hitting a wide-open Mike Turley for 41 yards to the Harvard 19 before Scott MacLeod collared...
DIED. Homer Capehart, 82, three-term Republican Senator from Indiana (1945-63); from complications following a hip fracture; in Indianapolis. The son of a tenant farmer, Capehart made a fortune selling jukebox equipment and got into politics after organizing a 1938 "cornfield convention" of 20,000 Republicans. As Senator, he supported farm subsidies and helped establish the Small Business Administration. An enthusiastic McCarthyite, Capehart staked his 1962 senatorial campaign on a tough anti-Cuba stand ("invade or blockade") and lost narrowly to young Birch Bayh when President Kennedy's embargo of Cuba took away his thunder...
Nodding, the stranger slips his weary feet into the leather, stands up and slaps his hip. "Perfect,"he says...
...accept, simply for farcical purposes, that Franny's otherwise bright parents (John Lithgow and Kathryn Walker) would pull an elaborate ruse to fool their child into thinking that their dead marriage is a happy one. Ross not only characterizes Jamie's father (Terry Kiser) as a desperately hip playboy, she must also give him a bachelor pad so overdone that even Hugh Hefner would find it garish. Jamie's mom (Roberta Maxwell), meanwhile, is required to go into a burlesque rage at the mere mention of her ex-husband's name. Ross shows far more respect...
Meetings with Remarkable Men is the hip '70s answer to Hollywood's oldtime biblical kitsch. Once Cecil B. DeMille re-created the glory days of Moses in glorious Technicolor; now Director Peter Brook is giving the same treatment to G.I. Gurdjieff (1877-1949), the philosopher whose Zen-like quest for spiritual truth has greatly influenced the modern human-potential movement. Though The Ten Commandments and Remarkable Men are theologically antithetical, they are cinematic first cousins. Both films suffer from an excess of piety, a shortage of humor and an infatuation with desert vistas. Still, DeMille's muscular...