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...Negative messages in hip-hop music have long been a topic of concern among worried mothers and professors of popular culture alike, who call for the genre to be reformed. But controversial values are not the trademark of hip-hop generally. Tracy D. Sharpley-Whiting, the director of Vanderbilt’s program in African American and Diaspora Studies, agrees that though misogynistic and violent messages are often heard through public outlets, hip-hop’s full creative spectrum is concealed by major record labels and commercial radio. There has been a widespread struggle to reconcile the artistic expression...

Author: By Beryl C.D. Lipton and Rebecca A. Schuetz, CRIMSON STAFF WRITERSS | Title: A Bad Rap | 4/24/2008 | See Source »

...It’s not, ‘You listen to hip-hop and then you go do these horrible things to women,’” Sharpley-Whiting says. The author of “Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women,” Sharpley-Whiting argues that American culture in general is over-sexualized...

Author: By Beryl C.D. Lipton and Rebecca A. Schuetz, CRIMSON STAFF WRITERSS | Title: A Bad Rap | 4/24/2008 | See Source »

...Salamishah Tillet, a professor of African-American literature at the University of Pennsylvania, does not see hip-hop as a problem in itself, but as an easy target for those concerned with the flaws of American society...

Author: By Beryl C.D. Lipton and Rebecca A. Schuetz, CRIMSON STAFF WRITERSS | Title: A Bad Rap | 4/24/2008 | See Source »

...Hip-hop is a reaction, and a reflection of what is going on,” Tillet says. “I think that if all the violence in the American culture gets reduced to hip-hop, that’s a problem. I think it’s easy to say that, ‘I’m not going to let my children listen to hip-hop,’ and have it be the scapegoat for all social ills...

Author: By Beryl C.D. Lipton and Rebecca A. Schuetz, CRIMSON STAFF WRITERSS | Title: A Bad Rap | 4/24/2008 | See Source »

...perceived dengeneracy of hip-hop provides the rationale for another balance that the “Take Back the Music” contest is hoping to achieve—between the uninventive and the creative. Those involved with the contest seek to disrupt the creative stagnancy that stems from the monotony of mainstream hip-hop’s misogyny. Many people in both the contest and the genre’s broader community feel that while innovative music is being produced, it isn’t available from commercial radio stations or major labels. Thus, some critics argue that while...

Author: By Beryl C.D. Lipton and Rebecca A. Schuetz, CRIMSON STAFF WRITERSS | Title: A Bad Rap | 4/24/2008 | See Source »

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