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...streets in The Oldest Rookie, Jerry Orbach as a private eye in The Law and Harry McGraw, and Dale Robertson as a crime-solving Texas billionaire in J.J. Starbuck. Only Robertson seems to be truly enjoying the work. NBC's Private Eye, created by Anthony Yerkovich (Miami Vice), is hipper but not much better. Star Michael Woods, as a disgraced cop who becomes a private eye to avenge his brother's murder, growls like a road-company Don Johnson; the stylized 1950s look is unconvincing, and the dialogue sounds like parody: "I can look at myself mornings, Charlie. Sounds...

Author: /time Magazine | Title: Video: Yup, Yup and Away! | 10/5/1987 | See Source »

...when the comedy gets a bit weird on the Tonight show. But the real crazies rarely make it to Carson's stage. Goldthwait did have one Tonight appearance a year ago, when Joan Rivers was guest host, and some of his offbeat contemporaries can occasionally be seen in such hipper network venues as Late Night with David Letterman and Saturday Night Live. But increasingly, the showcase for innovative comic talent is cable, the Off-Broadway of TV comedy...

Author: /time Magazine | Title: Video: Ranting, Raving, Doing the Dishes | 4/27/1987 | See Source »

...miniseries was to be titled Rusha, in reference to the fact that a Fury-run Russia would be hipper and more laid back about things like spelling. At first I was thinking of writing myself into the show, maybe as a rock star who finds love and the meaning of Christmas in the backrooms of the Kremlin...

Author: By Rutger Fury, | Title: From Rusha With Love | 2/21/1987 | See Source »

What must have started as an appeal to street-wise pacifists, SOMBJAF thrives as hipper-than-thou funkadelia and constitutes the wittiest attack on U.S. arms policy since Tom Lehrer. A solid achievement when you recall that, at high voltages, Clinton has been known to inflict minor seismic damage. An amazing achievement considering how top-heavy the record might have sounded due to its immense cast of extras--30 background singers, 10 keyboard players and an array of drum-related, beat-box soloists...

Author: By Ari Z. Posner, | Title: Vinyl in Boston | 10/10/1985 | See Source »

...pinwheeling series of betrayals--then customized with camera style. Strapped to a car fender, or sauntering at ankle level through a rowdy party, or tracking smoothly down a long bar counter (and over a passed-out customer), the Coens' camera is a participant in the action, and worlds hipper than anyone on-screen. "Hi, I'm here," it as much as says, "and I'm soooo smart." It is too; it creates elegant riddles of space and time, then solves them with an originality that hits the viewer like a rabbit- punch line. The lovers repose in bed, a turnstile...

Author: /time Magazine | Title: Cinema: Same Old Song Blood Simple | 1/28/1985 | See Source »

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