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Word: hipping (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...much over dinner and wine tastings at professors' houses as they do in the classroom. But it may also reflect the fact that males are a fashionable subject again. The men's movement, and the rise of male-simpatico feminists like Susan Faludi, have lent quaint Wabash a hip cachet. "An important liberal-arts ideal is 'Know thyself,'" says Wabash president Andrew Ford. "Sometimes you can do that best, or more comfortably, among your own gender, and we offer that choice...

Author: /time Magazine | Title: In the Company of Men | 10/25/1999 | See Source »

...with its roots. The beats are as solid and inventive as one would expect from an artist who has been at the epicenter of jump-up drum 'n bass for years, but it is the sampling that makes this disc more than just forgettable rave fodder. Aphrodite's usual hip-hop soundbites are topped with a mix of organic, ambient clips ranging from jazz horns to ethereal female vocals. Especially notable is the fun treatment of the rude saxophone lick from DJ Kool's party anthem "Let Me Clear My Throat" on the track "B. M. Funkster." A solid contribution...

Author: By Taylor R. Terry, | Title: Album Review: Aphrodite | 10/22/1999 | See Source »

...general mayhem in a sonic soup that is equal parts John Cage, Sun Ra, Grandmaster Flash, and Aphrodite. DJ Spooky, a. k. a. That Subliminal Kid, a. k. a. Paul D. Miller, is a founder of the New York illbient sound, which blends the urban, rhythmic edge of hip-hop, dub and jungle with the abstract, ambient noise techniques of French musique concrte. And Subliminal Minded is chock-full of the sound. DJ Wally, the Dub Pistols, Karsh Kale and DJ Spooky himself reconstruct four songs from Riddim Warfare, ranging from the delicious spy-movie groove of the Dub Pistols...

Author: By Jeremy Salfen, | Title: Album Review: DJ Spooky | 10/22/1999 | See Source »

...scene. Countless bands and performers have followed the path he laid out with his work with Massive Attack and his debut album, 1995's Maxinquaye. Since then, Tricky's moved on: his albums following Maxinquaye, including Juxtapose, his latest, largely abandon its mellow vibe for a darker, harder hip-hop sound. The audience that came to see him at Avalon last Thursday seemed to be hoping to sway to the sounds of his first album, by far the most popular work he has done. His live show, however, took pieces of his entire four-album discography and melded them into...

Author: By Dan Visel, CONTRIBUTING WRITER | Title: Concert Review: Pre-Millenial Tricky | 10/22/1999 | See Source »

...With Juxtapose, Tricky is positioning himself to appeal to mainstream U.S. hip-hop crowd. It's going to be a tough sell, though: Tricky's hip-hop resembles little else on the market. He's an extraordinarily versatile musician; while he may not always be palatable, he's certainly interesting, and you can't say that he doesn't put on a good show. Avalon unfortunately marred the ending of his show: the lights went up during the second encore, halfway through a terrific rendition of "Vent." Next time, maybe, they'll let him finish...

Author: By Dan Visel, CONTRIBUTING WRITER | Title: Concert Review: Pre-Millenial Tricky | 10/22/1999 | See Source »

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