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...girls school, and our brother school was putting on a play and needed five girls to be in it, so instead of sports, which was really the only thing to do at my school, I got to be in a play. From that first role as Hippolyta in “A Midsummer Night’s Dream,” Ritchie continued to perform in plays throughout high school and has acted in a play every semester that she has been at Harvard. This semester, however, Ritchie is tackling a new aspect of the stage—that...

Author: NO WRITER ATTRIBUTED | Title: Lillian Ritchie | 10/19/2006 | See Source »

...power, owes much to Brook. But the insights into the characters, the reasoned resistance to happy endings and especially the mesmeric visual imagery are Ciulei's own. From the first moment, this Dream shows itself to be more about grim realities and revelatory nightmares. The captive Amazon Queen Hippolyta (Lorraine Toussaint), garbed as a soldier and coiffed with a Grace Jones-style Mohawk, stands mute yet defiant as the guards of Duke Theseus (Gary Reineke) surround her. They tear off her uniform and toss it onto a fire, revealing her torso clad in a confining, seductive undergarment: she is being...

Author: /time Magazine | Title: Theater: Moonbeams and Menaces | 6/21/2005 | See Source »

...sponsored by the Radcliffe Institute for Advanced Studies, facilitator John Rockwell’s voice rang with exasperation as he pushed Clarke to explain her interpretation. Did a feminist interpretation, he asked, determine the play’s opening scenes—which feature Karen MacDonald as an impudent Hippolyta, swollen with mute resentment of her husband Theseus (John Campion), the top-heavy emblem of dour autocratic unreasonableness? Clarke didn’t think so. “Quite often, I don’t know why I make the selections I make. I kind of instinctually and intuitively move...

Author: By Emma Firestone, CRIMSON STAFF WRITER | Title: ART’s Dream Startles Audiences | 2/20/2004 | See Source »

...sophomores--bodes well for the next few years of Shakespearean performance at Harvard. Although the play's length (two-and-a-half-hours) may seem daunting to some, the show is so skillfully realized and so well paced that the time is well spent. In the words of Queen Hippolyta in the fantastic final scene, "This is the silliest stuff that ever I heard!" But you will enjoy every minute...

Author: By Susannah R. Mandel, | Title: A Luminous Open-Air Performance of One of the Greatest Comedies of All | 5/9/1997 | See Source »

...insect-like nature sprites, inhuman and unsettling; his "rude mechanicals" quarrel with earnestness and acrobatic precision in their stage business. The curtain rises at the Wilbur to reveal a Renaissance tapestry of equestrian combat, fair enough warning of the production's themes, and when Theseus (Harry Murphy) and Hippolyta (Karen MacDonald) have it out in a mock combat during the overture, the audience gets the message...

Author: By Scott A. Rosenberg, | Title: Midsummer Journey | 11/15/1980 | See Source »

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