Word: hirano
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...this to everyone going to Japan,” said Charles D. Teague ’74 as he walked out of the screening of “From Brazil to Japan,” a new documentary directed by Aaron Litvin ’04 and Ana Paula Hirano Litvin, focusing on the new trend of Brazilian immigration to Japan. By crafting a film that highlights the personal experiences of such a journey, the Litvins illuminate both the struggles of immigration as a whole as well as the emotional issues that arise from an ever-globalizing world...
...director Ana Paula Hirano Litvin says, “At the beginning, the documentary consists more of formal interviews in question and answer format. Then as we got to know the families, and became friends, they became comfortable with us and the camera, and they would talk about their experiences without us even asking. Sometimes we would just stay over at their apartments, cook together, and sleep on their floors. Some of our best scenes were filmed spontaneously at one or two in the morning.” Because of this special relationship between the filmmakers and subjects, the documentary...
Ever wondered what it might be like to ride a bullet train through 18th century Vienna? Neither have we. But it's a close approximation of how you might approach the work of 29-year-old musician Midori Hirano. The Kyoto-born classical pianist turned electronica artist, now based in Berlin, dances the divide between electronic and acoustic sound, creating lush, layered chamber music out of piano, strings, digital samples and vocals in songs that hark back to the past while hinting, irresistibly, toward the future...
...Hirano's sophomore album klo:yuri takes its cue from her minimalist full-length debut, 2006's LushRush, although she strips away much of the live instrumentation of her previous offering, relying more heavily on field recordings, synthetic effects and her own ethereal voice. These elements are blended through subtle orchestrations and seamless improvisations to create a sensual, cinematic sound - think Michael Nyman times Hans Zimmer to the power of Sigur...
...Feathers" to the slow-building threnody of "Cells That Smell Sounds" they span the spectrum of light and dark. The album's highlight comes in the form of "Null," a doozy of soaring strings, synths and syncopated percussion offset by strangely compelling counting in German, which is very Hirano: at once familiar and odd, with the ineffable quality of a dream...