Word: hiroshima
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...that drafted the "Port Haron Statement" in 1962. That was a group of disaffected students and intellectuals, alienated both from the American dream and the pedantic Old Left squabbles their parents had engaged in thirty years before. Led by Tom Hayden and Al Haber, these children of Hiroshima and Coca-Cola nurtured on Paul Goodman hoped to forge a "New Left" that would revive radical politics after the critical somnolence of the fifties...
...love object. Since the film was edited in France (a fact purposely presented to the audience), it is clear that Koumiko is a memory. Marker is an outsider to Koumiko not only because he is a European but because he is a man. (The similarities between this and Hiroshima, Mon Amour are obvious and, I believe, intentional.) Solving the mystery would destroy the romantic quality both of the woman and of the memory...
...worst moments seem to fascinate Poland's avant-garde composer Krzysztof Penderecki. In his Threnody for the Victims of Hiroshima, Dies Irae (an oratorio in memory of the dead of Auschwitz) and The Passion and Death of Jesus Christ According to St. Luke, Penderecki treated mass annihilation and murder with moving intensity, stretching the limits of orchestral and vocal range so far that he had to invent new notational symbols for his score (TIME, Oct. 14, 1966). Thus it was only appropriate that for his first opera he chose as his subject a tale of mass hysteria and political...
...Mahler First Symphony and Mendelssohn's Elijah. After that will come DeFalla's Nights in the Gardens of Spain with Rubinstein, Mahler's Second Symphony, Bach's St. Matthew Passion, and several contemporary works, including Krzystof Penderecki's Threnody for the Victims of Hiroshima...
...gently observes, "could easily be next Wednesday." His first book, Player Piano (1952). told how a crew of smoothly programmed engineers take over America. Another, Cat's Cradle, began with a reporter trying to fix the whereabouts of important Americans at the time the bomb was dropped on Hiroshima and ended with the end of the world. A third, Mother Night, explored the guilt of a patriotic spy and propaganda agent, "a man," as Vonnegut summed him up, "who served evil too openly and good too secretly, the crime of his times...