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...Lieut. General Sir Horace Clement Hugh Robertson, 65, Australian combat veteran of both world wars; after a heart operation; in Melbourne. As British Commonwealth occupation commander in Japan from 1946 to 1951, Robertson upset American plans for a quiet observance of the third anniversary of the atomic destruction of Hiroshima, bluntly told Hiroshima's citizens: "This disaster was your own fault . . . The punishment given to Hiroshima was only part of the retribution of the Japanese people as a whole...

Author: /time Magazine | Title: Milestones, may 9, 1960 | 5/9/1960 | See Source »

...kiloton is the equivalent in blast of 1,000 tons of TNT. The bomb that wrecked Hiroshima measured about 20 kilotons. In the strange vocabulary of nuclear weapons, a one-kiloton weapon is considered "small." A megaton is 1,000 kilotons, or the equivalent of 1,000,000 tons...

Author: /time Magazine | Title: National Affairs: A TEST-BAN PRIMER | 4/11/1960 | See Source »

...Chateau Rambouillet, country residence of France's Presidents. On the other end of the line was Soviet Ambassador to France Sergei Vinogradov with the news that France had just exploded in the Sahara its second atomic bomb-a small one, roughly the size of the U.S.'s Hiroshima bomb (20 kilotons), but far closer to being a portable, functional weapon than the first 60-to 70-kiloton French bomb...

Author: /time Magazine | Title: FRANCE: Hurrah for Whose Bomb? | 4/11/1960 | See Source »

...atmosphere, in the sea, in space-and police the ban with a global network of long-range seismographs, plus international teams of inspectors to probe any suspicious earth tremors on the spot. But the U.S. would exempt all underground tests of less than 19 kilotons (about one Hiroshima bomb), because they are nearly impossible to detect...

Author: /time Magazine | Title: THE ATOM: The Bomb & the Ban | 4/4/1960 | See Source »

...articulate. As professor of visual arts at M.I.T., he is used to conducting interprofessional seminars in such elusive studies as "structure" and "continuity," and to thinking out his own esthetic positions in precise if thickly accented terms. "It is not important to me to echo Auschwitz," he says, "or Hiroshima, or the Russian slave camps. We can't compete with such brutality, and we shouldn't just mirror it. What we can find are the seeds of something clean and pure. My generation throws away all hope that one can go beyond the everyday. Yet when one listens...

Author: /time Magazine | Title: Art: Abstract, but Romantic | 3/7/1960 | See Source »

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