Word: hiroshima
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This fall the moviegoer has a choice of two Black Rains set in Japan, but they're not hard to tell apart. One is Shohei Imamura's stark meditation on Hiroshima 1945. The other is a cop movie backed by some heavy Hollywood artillery: the producers of Fatal Attraction. Michael Douglas and Andy Garcia are two New York City detectives on the trail of a cool, vicious Japanese gangster (Yusaku Matsuda). Their contact in the Osaka constabulary is a by- the-book gent (Ken Takakura) affronted by Douglas' bullying. You've seen this picture before; last year it was called...
Forty-four years after the United States bombed Hiroshima, Hollywood filmmakers have come out with a sleek, forgettable cop movie to mark the anniversary...
...movie's title suggests that its makers aspired to more than a good cop movie. The title comes from an exchange between Douglas and Tomisaburo Wakayama, who plays the mobster Sugai. When Douglas criticizes the mafioso's livelihood, Wakayama launches into a monologue on the horror of the Hiroshima and Nagasaki bombings...
Forty years after Hiroshima, Black Rain seems more trivial than anything else...
...know, of course, how this great story finally ended. That is told in a series of place names that have become part of the language: Bataan, Midway, Guadalcanal, Stalingrad, El Alamein, Anzio, Omaha Beach, Bastogne, Iwo Jima, Okinawa, Hiroshima. In retrospect, it all seems to have a kind of inevitability, and yet there lingers over each battlefield a faint question. What if rains in Poland had mired the German tanks in mud? What if the French army had then attacked? What...