Word: hirschfelds
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Dates: during 2000-2009
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...Dolly and Aluminum made a glamorous, loving couple. She continued to act, notably in a "Crime and Punishment" with Gish and John Gielgud, and the wife of the villain in Alfred Hitchcock's "I Confess." But her main role would be as Hirschfeld's muse and playmate, his elfin inamorata, the one editor to whom he paid devoted attention. The two would be inseparable until her death 51 years later...
...Dolly's destiny took a different turn. In an English remake of "Broken Blossoms," directed by her first husband John Brahm, she played the Lillian Gish role; then she was offered a three-year Hollywood contract by Myron Selznick (whose father had hired the teenage Hirschfeld). But she made no films in California. She came to New York, appearing in plays by the German ?migr? Erwin Piscator. It was there she met, and in 1943 married, the man referred to in the Google translation of a German-language Dolly Haas website as "the well-known caricaturist aluminum deer field...
...Hirschfeld sketch increased after 1945, when Dolly gave birth to their daughter Nina. Hirschfeld began hiding her name within his portraits of famous men and women - in a Gwyneth Paltrow gown, in a Groucho jacket fold. (Good thing they hadn't named the child Hildegarde.) Eventually he placed a numeral next to his signature - e.g., "Hirschfeld 5" - to indicate how often the Ninas appeared. Forty years before Martin Handford was playing "Where's Waldo?", Spotting the Ninas was the niftiest Sunday parlor game. I recall the little thrill I felt on first hearing of the ruse, back in college...
...tell us why you're so ubiquitous? / It is likely you have friends in lofty places, / For I find your name adorning famous faces." The more Ninas hidden, the longer the lovely task took. A few nights ago, my wife was paging through the handsome collection "Hirschfeld's Hollywood." Suddenly her shoulders sagged. An unusually dense fresco of Broadway first-nighters bore the notation "Hirschfeld 1958." It turned out to be the year, not the number of Ninas...
...than concealed them, some Hirschfeldians argue that it reduced his standing from an artist to a puzzle-constructor. But he couldn't stop and, as a giver of pleasure, he wouldn't want to. Those ten strokes simply added to the density, as well as the delight, of a Hirschfeld drawing. They also answered the question, "What's in 1 name?" with the more complex question, "What's a name...