Word: hirschvogel
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Dates: during 1930-1939
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...strange that such a penetration into a new field inspired other ventures in landscape. There comes Hendrik Goltzins, the engraver, whose two woodcut prints in great boldness of line, alone of all the early examples could be safely hung beside the strength of the "Cannon." There also was Augustin Hirschvogel, the etcher, whose print betrays the limited grasp of landscape forms in his day and there is Lautensack who loses himself in the struggle to record the whole tangle of a forest...
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