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Word: hirst (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...Britain. In an annual calculation by the German magazine Capital, the U.S. and Germany each have four of the world's 10 most widely exposed artists; France has none. An ArtPrice study of the 2006 contemporary-art market found that works by the leading European figure - Britain's Damien Hirst - sold for an average of $180,000. The top French artist on the list, Robert Combas, commanded $7,500 per work...

Author: /time Magazine | Title: In Search of Lost Time | 11/21/2007 | See Source »

...means making in a way that a lot of artists no longer do. Jeff Koons and Damien Hirst don't lay a finger on much of what bears their names. They hand their ideas over to studio assistants or skilled fabricators. Puryear is his own skilled fabricator; he has brought carpentry, joinery and boatbuilding techniques into his art. He knows that's a retro virtue. "To get your hands dirty building something?" he asks. "You can buy that nowadays. So a lot of artists buy a very high level of craft from somebody else. They don't put themselves...

Author: /time Magazine | Title: The Man of Mysteries | 11/2/2007 | See Source »

...nations, once penniless painters are getting used to this most unexpected emotion. The region's contemporary-art market has never been so hot. Last year, a collection of dreamlike portraits and landscapes by China's Zhang Xiaogang raked in just over $24 million - more than British enfant terrible Damien Hirst made in 2006. In March, a sale of modern Indian art in New York City raised a record $15 million, including just under $800,000 for Captives, a stark evocation of desiccated torsos by New Delhi-born Rameshwar Broota. Two months later, an auction in London elicited $1.42 million...

Author: /time Magazine | Title: The Color Of Money | 11/1/2007 | See Source »

...either radically high or low - they all betoken a director who doesn't trust his material. And why should he? The statecraft of 400 years ago is not the stuff of great movies - all mutterings in the shadows about geopolitical issues that the screenwriters, William Nicholson and Michael Hirst, prefer not to go into. That leaves Kapur with the Elizabeth-Raleigh thing, which is, truth to tell, no more than a flirtation without a fruition. Blanchett and Owen do what they can with it - she is alternately coy and bawdy; he is blunt, refreshingly lacking in courtly wiles and drawn...

Author: /time Magazine | Title: Elizabeth's Lusterless Golden Age | 10/12/2007 | See Source »

...sword - takes it into her head to rally her troops, drawn up on the shore, impotently waiting for the naval engagement to begin. She is given a noble rallying speech to sing out - her St. Crispin's Day moment - but, putting this as gently as possible, Nicholson and Hirst are not exactly the Bard of Avon, and Kapur is not exactly Laurence Olivier when it comes to staging this emptily rhetorical, entirely fictional moment. The director not much better with the ensuing naval battle, which is more symbolically than realistically staged...

Author: /time Magazine | Title: Elizabeth's Lusterless Golden Age | 10/12/2007 | See Source »

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