Word: historicists
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Rather than simply take the historicist approach some of the members of the Harvard Club of New York favored, Bond considers the social and political contexts of the buildings he designs. In addition to aesthetic qualities, Bond examines the functionality of the building, and the culture of the people who will use and appreciate...
...Souza notes proudly. "She now seemed aware of the implications of the term slave trade." True, there are occasional wry moments. Stanley Fish, the avant-garde chairperson of the English department at Duke, proclaims that the university's commitment to affirmative-action hiring is a way to seize "our historicist, postmodernist, poststructuralist moment...
...light without texture. (Maybe they could have seen it earlier by looking at Turner's watercolors, but never mind: American taste ran to watercolors the size of Guernica.) Though practically no one now buys the '60s' doctrinaire readings of color-field painting -- the arguments, so often lapsing into petty-historicist casuistry, by which Greenberg's disciples set up this reductive art of pure, thin color as the climax of painting's dialogue with itself -- there is no question that Frankenthaler set the style going...
Among the younger designers, jokes tend to be about the future, but a future as it was conceived in a more hopeful past. It is a neat trick. This strain of the new-wave sensibility is an ironic mixture of nostalgia and contempt, simultaneously mock futurist and mock historicist. The allusions are to old television and B movies. At the Whitney, Dakota Jackson's UFO-shaped Saturn stool (1976) and R.M. Fischer's enormous, intimidating Max lamp (1983) are like fakey props from 1950s science-fiction films. Burton's saw-toothed aluminum chair (1980-81) seems to be a throne...
Thus La Pittura Colta: the revenge of late De Chirico on modernism. A decade ago, nobody wanted the historicist kitsch that Giorgio de Chirico, the master of metaphysical painting who became the laureate of Fascist taste, produced after 1925. Today his work goes for big prices and is assiduously promoted. It is therefore not surprising that the Biennale should devote several rooms to him. However, the qualities of La Pittura Colta go far beyond, or below, De Chirico's fussy homages to Rubens, Titian or Fragonard. Its exponents, such as Carlo Maria Mariani, Stefano di Stasio or Omar Galliani...