Word: hitchcock
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Dates: during 1950-1959
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...buddies up to one spy he might run down a lot of others. Well, cars full of sincere-looking extras-Scotland Yard men, who resent McCrea's interference-roar in pursuit, and platoons of snaky-looking loungers, the agents of "a foreign power," lie in wait. Alfred Hitchcock might have zipped his man through them all as niftily as a gamma ray through a cream puff, but Hero McCrea has no such luck. The Yard men catch him, the loungers snatch his spy. The poor colonel is lucky to get a kiss from his wife...
Despite its suspense, off-angle shots, and flashbacks, I Confess hardly rates as first-class Hitchcock. But disregarding Alfred Hitchcock's former efforts, it is a fine product. In an era of stereotyped movie directing, a film with the director's brand stamped squarely on it provides a refreshing and entertaining change. However, in I Confess. Hitchcock has slightly overplayed his specialty--screen psychoanalysis...
Stressing the psychological motivations of each of his characters. Hitchcock moves his camera freely from present to past. But in so doing, he sacrifices plot continuity for frightening suspense. He saves the plot with a police-room discussions of former passions but weakens fifteen minutes of the film. Fortunately, after this the action picks up markedly. And except for an overlong comfroom scene, the film is again highly exciting, reaching a splendid crescendo with a chase through the halls of Quebec's Chateau Frontenac...
With occasionally superb directing and accomplished actors, I Confess shows that Hitchcock, while not perfect, is still the best in the suspense business...
...good, workmanlike thriller, I Confess, is only fair-to-middling Hitchcock. Unlike his best movies, it is often verbal instead of visual. There is a talky courtroom trial and, unusual for Hitchcock, a soggily sentimental flashback depicting a romance between the priest before he entered the church and a girl (Anne Baxter) who later marries a member of the Quebec Parliament. In the leading role, Montgomery Clift frequently appears more deadpan than stoical. Most authentic touches: Karl Malden's portrait of a hard-working detective and some real Quebec backgrounds...