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Word: hitchcock (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...film has some shaky motivation and more than a fair share of trickery, but Hitchcock is such a superb storyteller that few viewers will even notice till well after the final fadeout. What they will notice is the perversity of the film. In one mind-boggling sequence, Bob tries to pry his diamond pin from the stiff fingers of the corpse that he has stashed inside a potato sack...

Author: /time Magazine | Title: Cinema: Still the Master | 6/19/1972 | See Source »

...actors are all proficient; Foster's flamboyant Bob, picking his teeth with that tie pin, is particularly telling. There are also Hitchcock's usual moments of high comedy, here involving Inspector Oxford and his wife, who is taking a course in gourmet cookery and assaults her husband's stubbornly English palate with a selection of highly sauced dishes. It is an old joke that would have worn pretty thin but for the performances of Alec McCowen and Vivien Merchant, the most elegant comic acting seen in movies in a long while. " ·Jay Cocks...

Author: /time Magazine | Title: Cinema: Still the Master | 6/19/1972 | See Source »

...Alfred Hitchcock professed to be indignant at being misquoted. "It has been said that I called actors cattle. I would never say such a rude, insulting thing," he told TIME'S Gerald Clarke last week. "What I probably said was that all actors should be treated like cattle...

Author: /time Magazine | Title: Cinema: Still the Master | 6/19/1972 | See Source »

...world's most famous film director may waddle a bit more slowly and his double chin may now be subdivided into a triplex, but no one, particularly an actor who strays into his corral, can doubt that there is still only one brand on a Hitchcock film...

Author: /time Magazine | Title: Cinema: Still the Master | 6/19/1972 | See Source »

...Hitchcock writes, films and edits a picture-on a screen some place behind his hazel eyes-long before the cameras are loaded. "I can make a film on paper," he says. "I never improvise." The grisly scene in Frenzy in which the killer wrestles with a dead body in a potato sack-almost certain to be enshrined by the Cahierists-was dictated by Hitchcock to his secretary one day at lunch, with every stomach-curdling movement laid out in exactly 118 takes...

Author: /time Magazine | Title: Cinema: Still the Master | 6/19/1972 | See Source »

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